Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
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· <strong>Literature</strong>}<br />
<strong>Principally</strong> <strong>Belletristic</strong> .<br />
its author's best works and one <strong>of</strong> the best <strong>of</strong> colonial neoclassical poems.<br />
The 1729 verses <strong>of</strong> "John Smith" on determining longitude have been<br />
mentioned. Another poem possibly from Sterling's Irish period is A<br />
Friend in Need is a Friend in Deed, or, A Project, at this Critical /unction,<br />
to gain the Nation a hundred thousand Pounds per Annum from the Dutch:<br />
by an Irish Whale Fishery, Inscrib'd to Arthur Dobbs, Esq. (Dublin 1737).<br />
At least it is on a subject which was to become popular in the colonies, and<br />
it is dedicated to a future southern governor. Compared with South Carolina<br />
and Virginia, however, Maryland and its poets were little interested in<br />
following the eighteenth-century fashion <strong>of</strong> celebrating or discussing scientific<br />
problems or technology in verse.<br />
Sterling contributed to the American Magazine and Monthly Chronicle<br />
two Latin poems, one commending the soldiers participating in the Canadian<br />
campaign, the other commending the Latin verse <strong>of</strong> John Beveridge<br />
<strong>of</strong> Philadelphia which appeared in the same magazine. In the journal's<br />
final issue, for October 1758, was printed "The 22d Ode <strong>of</strong> the first<br />
Book <strong>of</strong> Horace imitated; and inscrib'd to the Lady <strong>of</strong> his late Excellency<br />
SAMUEL OGLE, Esquire," anonymous but datelined from "Kent in<br />
Maryland," undoubtedly composed by Sterling. The "christian hero" is<br />
defined in stanza one and then depicted for his bravery against "the<br />
French sword and Indian Knife," and the second stanza takes him through<br />
Appalachian rocks, Canadian forests, and bleak Ontario. Stanza three presents<br />
the narrator in meditation in Ogle's gardens when a hugh buffalo<br />
suddenly rushes upon him, a creature such as the Ohio country or Virginia's<br />
woods never saw. But the narrator-hero, protected by his virtue, strikes such<br />
awe into the beast that it turns and flees. The eight-line iambic tetrameter<br />
stanza does not seem entirely appropriate for the somewhat awkwardly<br />
expressed progression in the poem. If William Byrd II had written this, or<br />
Ebenezer Cook, one might suspect tongue-in-cheek relation or irony or<br />
mock-heroic <strong>of</strong> some variety, but here there seem to be no clues suggesting<br />
humorous intent. The piece is <strong>of</strong> some interest for the domesticated buffalo<br />
inference, and for its patriotic assertions and suggestions that the rugged<br />
grandeur <strong>of</strong> western American nature might contribute to sublime effects.232<br />
In the verse <strong>of</strong> eighteenth-century Maryland are a number <strong>of</strong> printed<br />
pieces on the translatio studti theme, showing a high consciousness <strong>of</strong> the<br />
future <strong>of</strong> this part <strong>of</strong> the New World as it took up the torch <strong>of</strong> civilization<br />
inferentially now merely sputtering in Europe. The province's poetry included<br />
classical adaptation and imitation, and the meditative-moral usually<br />
involved in the contemplation <strong>of</strong> the more beautiful or grander aspects <strong>of</strong><br />
American nature. Sensibility and sublimity were already there, as they were<br />
in Britain. Most <strong>of</strong> these qualities were present also in the poetry composed<br />
in other colonies, but the sophisticated high seriousness <strong>of</strong> Richard<br />
1471