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Literature, Principally Belletristic - University of Tennessee, Knoxville

Literature, Principally Belletristic - University of Tennessee, Knoxville

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· INTELLECTUAL LIFE IN THE COLONIAL SOUTH ·<br />

lament for Bacon. No two critics have ever agreed completely on the purpose<br />

<strong>of</strong> either or both poems, but all do agree that rhetorical symmetry <strong>of</strong><br />

structure marks both, and irony at least the second <strong>of</strong> the twO.67<br />

One other attempt at literary satire before 1700 is worth noting,<br />

though its subject and object can only be guessed at. The record <strong>of</strong> the<br />

Virginia General Assembly <strong>of</strong> May 31, 1699, contains the testimony <strong>of</strong><br />

a witness that the Reverend Mr. Samuel Gray, as Anglican parson <strong>of</strong><br />

Middlesex County, had in his possession and circulated scandalous verses<br />

in dialogue form. Gray declared that they were put into his pocket by<br />

"some Idle Rascal or other at Towne, and that as he come from Towne he<br />

saw a Letter in the road directed to Mr. Speaker." Gray admitted later that<br />

he was the author <strong>of</strong> this "very Scandalous and Libellous Paper ... very<br />

reflective upon the Government" and ultimately was pardoned by the governor<br />

and Council.<br />

It is the event itself which is <strong>of</strong> interest. From the later records <strong>of</strong> plays<br />

found in courtyards, Byrd's mention in his diary <strong>of</strong> throwing verse lampoons<br />

into the House <strong>of</strong> Burgesses, and the "Dinwiddianaeu poems (to be<br />

noted below ), it is clear from this item and hints <strong>of</strong> others that there was<br />

before the end <strong>of</strong> the seventeenth century a fairly well established tradition<br />

<strong>of</strong> political and social criticism in verse, probably doggerel but not necessarily<br />

so, circulated in manuscript by hand. Thus there is some direct evidence<br />

and a good deal more indirect suggestion from reading between the<br />

lines <strong>of</strong> records <strong>of</strong> the General Assembly that satire aimed at reform, public<br />

verse and even crude drama and dialogue, was a long-established tradition<br />

in colonial Virginia, probably reaching back at latest to the closing years<br />

<strong>of</strong> the seventeenth century. One should note that Cotton claims that the<br />

two elegies on Bacon were among the political poems floating around the<br />

colony at the time. Judging by the political pamphleteering in Maryland in<br />

the 1650S, there was probably a similar situation this early in that colony.<br />

From the uDinwiddianae" manuscripts <strong>of</strong> the I 7 50S to the political verse<br />

and prose satires <strong>of</strong> Landon Carter and Richard Hewitt and Thomas Burke<br />

and Richard Bland on one side and John Camm and possibly James Maury<br />

on the other was but a step. And the flimsy pretense <strong>of</strong> "finding" a manuscript,<br />

as that <strong>of</strong> Reverened Mr. Menzies in 1759, which cast satiric aspersions<br />

on government, looked back to Gray and Byrd and forward to the<br />

political satiric plays <strong>of</strong> Robert Munford.68<br />

EIGHTEENTH-CENTURY HUMOR , SATIRE , AND DIALECf WRITING<br />

The clergy in Virginia especially, and to some extent in Maryland and<br />

South Carolina, continued down to the Revolution to speak their minds<br />

through written satire as well as in the pulpit. The running fight between<br />

1354

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