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Literature, Principally Belletristic - University of Tennessee, Knoxville

Literature, Principally Belletristic - University of Tennessee, Knoxville

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· <strong>Literature</strong>, <strong>Principally</strong> <strong>Belletristic</strong> .<br />

But the poems <strong>of</strong> gallantry, serious or satiric, are not all classical or<br />

pastoral in origin. "A Riddle" in the January 22, 1732, issue, by "a Fair<br />

Correspondent," was reprinted in the Pennsylvania Gazette and replied to<br />

by another lady. It is concerned with "the Power <strong>of</strong> Letters:' Lucretia,<br />

despite her Roman name, in the issue <strong>of</strong> February 12, 1732, paraphrases<br />

in sixty-two lines the description <strong>of</strong> a harlot in the Proverbs 7, replying<br />

to Honestlls in an earlier number. On February 19 "Secretus" combines<br />

the pastoral setting and imagery with American subject matter, beginning<br />

with celebration <strong>of</strong> South Carolina's beauties :<br />

From Courts remote, and Europe's pompous Scenes,<br />

With Pleasure view what Nature's Care ordains.<br />

Here, various Flow'rs their blooming Beauties spread,<br />

The happy Swain, here seeks the Lawrel's Shade;<br />

Where, Nymphs unpractic'd in the Guiles <strong>of</strong> Art.<br />

Are form'd to warm the coldest Briton's Heart.<br />

Quite un-European is a poem mentioned under satire above, "The CAME­<br />

LEON LOVER" with its defense or mock defense <strong>of</strong> amours "With the dark<br />

Beauties <strong>of</strong> the Sable Race" and "Sable's" submission <strong>of</strong> "Cameleon's Defence,"<br />

a quite feeble apologia.264 On March 25, 1732, "Dorinda" in twelve<br />

lines datelined Santee, March 7, 1731, praises the knowledge and wisdom<br />

<strong>of</strong> "Belinda," who had written on February 25. Here in the first year <strong>of</strong> the<br />

Gazette what appear to be female contributors dominate the poetry column,<br />

for these battles or loves <strong>of</strong> the sexes signed with female names are the<br />

principal poetic subject.<br />

Perhaps not <strong>of</strong> local origin is the unsigned "The Milk-Maid," eighty-two<br />

lines recounting the old tale <strong>of</strong> the buxom lass counting her chickens before<br />

they were hatched. On April 20, 1734, fifty-seven lines "To a Young Lady"<br />

again may be borrowed, as may be the poems on the ladies and sensibility<br />

on April 27, though "On an old Lover <strong>of</strong> a young Lady" on May 18, 1734,<br />

seems locally authored and locally set. On June 15 "a young Person" addressed<br />

"Flavia" in twenty-nine lines, which the lady herself sent to the<br />

Gazette with a letter to editor Timothy saying this first endeavor by a<br />

young person should be printed.<br />

Two facetious poems on Orpheus and Eurydice, one by a bachelor and<br />

the other by a married man, appeared on December I, 1737, as an "ex­<br />

plication <strong>of</strong> the fable." During the 17 40S and the Whitefieldean furor<br />

there was very little decent light lyric verse, original or borrowed, which<br />

found space in the periodical, though in the issues <strong>of</strong> August 22 and November<br />

21, 1743, there were some amusing "gallant" exchanges. On<br />

March 4, 175 I, "The Maid's Soliloquy," by "a Lady <strong>of</strong> this Province,"<br />

proves to be a rather interesting effusion <strong>of</strong> thirty lines beginning<br />

1493

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