Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
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· <strong>Literature</strong>, <strong>Principally</strong> <strong>Belletristic</strong> .<br />
ernor Nicholson and thus anyone who supported him, who may be the<br />
"Mr. R.B." mentioned in the note and was almost surely in London at the<br />
time this burlesque appeared.70<br />
The next chronologically among Chesapeake Bay satiric writings came<br />
from the gifted pen <strong>of</strong> Marylander Ebenezer Cook, at least one <strong>of</strong> whose<br />
poetic pieces has been included in a number <strong>of</strong> colonial-period anthologies<br />
and its title borrowed in our century for a remarkable burlesque-ironic<br />
novel by a living Marylander who has made Cook himself his dubious<br />
hero. In his own time this lawyer and government tax collector was both<br />
famous and infamous as a versifier. A few <strong>of</strong> his minor poems, his elegies,<br />
are serious, though in some instances one senses irony or mockery in them.<br />
But Cook is rightly remembered for his skill in composing Hudibrastic<br />
satire on purely American subjects and his significant contributions to<br />
several forms or elements <strong>of</strong> the American humorous tradition. The Sot<br />
Weed Factor: or, A Voyage to Maryland (London, 1708), Sotweed Redivivus:<br />
Or The Planters Looking-Glass (Annapolis, 1730), and The<br />
Maryland Muse with its two distinct poems (Annapolis, 1731) mark their<br />
author as the foremost American satirist <strong>of</strong> the first half <strong>of</strong> the eighteenth<br />
century and as the first user or first successful user <strong>of</strong> certain character<br />
types, language, tone, and double-purpose in humorous writing culminating<br />
in the South in certain <strong>of</strong> our nineteenth- and twentieth-century<br />
authors noted above as being in the main line <strong>of</strong> our comic tradition.<br />
Born perhaps in England about 1667, Cook probably came to Maryland<br />
in his childhood with his father, Andrew, London merchant and tobacco<br />
(sotweed ) factor. Ebenezer probably traveled frequently between Maryland<br />
and Britain in the capacity <strong>of</strong> tobacco salesman, and there is some<br />
evidence that he studied law, perhaps under Thomas Bordley, attorneygeneral<br />
<strong>of</strong> the province. The title <strong>of</strong> "Poet-Laureate <strong>of</strong> Maryland" affixed<br />
after Cook's name in some printings <strong>of</strong> his work may have been a title<br />
actually bestowed (through Bordley's influence? ) by a colony <strong>of</strong>ficial, but<br />
it seems more likely that it was a mock title suggested by Bordley and his<br />
friends. At any rate, another poet, the Virginian John Fox, in a long poem<br />
addressed to Bordley, asks permission to study law under that gentleman<br />
as Cook had done and declares that he will make Cook "my Poet<br />
Laureat too." 71<br />
The Sot-Weed Factor; or, A Voyage to Maryland is his first known poem<br />
and perhaps his best. Quite clearly the author knew from long personal<br />
experience the way <strong>of</strong> life <strong>of</strong> the tobacco factor and all the idiosyncrasies<br />
<strong>of</strong> the various segments or aspects <strong>of</strong> provincial society with which such<br />
a merchant would come in contact. The emphasis in this first version is<br />
on society, for he satirizes small farmers (or ordinary planters ), great<br />
1357