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Literature, Principally Belletristic - University of Tennessee, Knoxville

Literature, Principally Belletristic - University of Tennessee, Knoxville

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· INTELLECTUAL LIFE IN THE COLONIAL SOUTH '<br />

from the 1720S to the Revolution, does there seem to have been a society<br />

in which a number <strong>of</strong> literate men, and several women, felt impelled to<br />

express themselves in meter. Even then southern prose, rhetorical and<br />

satiric and occasional, is far more competent and frequent. Yet the considerable<br />

body <strong>of</strong> verse here surveyed proves without question, with library<br />

inventories to back it up, that the southern colonial thoroughly enjoyed<br />

metrical expression, his own or someone else's.<br />

Much more than his New England contemporary, the southern colonial<br />

poet or poetaster followed contemporary English models, sometimes so<br />

closely that there is no clue within the verse to indicate its American origin.<br />

On the other hand, at least in the eighteenth century, he was developing<br />

a humorous, whimsical semi-satiric tone which was distinct from its European<br />

origins. And he was also learning to look about him and to describe<br />

what he saw, fauna and flora, rivers and mountains and bays, red men and<br />

white (still rarely black), which were in themselves quite different from<br />

their parallels in Great Britain or New England. Thus there came to be<br />

southern nature poetry, a southern elegy, and a southern satirical tradition<br />

compounded <strong>of</strong> whimsy and tolerance more <strong>of</strong>ten than vehemence. The<br />

southern colonial developed letter writing as an art, and in his journals<br />

and diaries as well as his poems he is frequently more introspective than<br />

intellectual historians have hitherto discovered.<br />

Finally, southern colonial writing which is principally belletristic leads<br />

straight into the literature <strong>of</strong> the first national period, and from there on<br />

to Faulkner. Southern hedonism, southern violence, southern expression in<br />

dialect, certain varieties <strong>of</strong> southern religion, southern backwoods and frontier<br />

humor, southern affinities with certain aspects <strong>of</strong> Old World cerebration,<br />

and pec:uliar combinations <strong>of</strong> the conservative and liberal in politics<br />

and economics, are among the qualities evident in our own time which<br />

show their roots in the writing from Maryland through Georgia in the<br />

period ending between 1763 and the Declaration <strong>of</strong> Independence.

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