Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
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· INTELLECTUAL LIFE IN THE COLONIAL SOUTH '<br />
from the 1720S to the Revolution, does there seem to have been a society<br />
in which a number <strong>of</strong> literate men, and several women, felt impelled to<br />
express themselves in meter. Even then southern prose, rhetorical and<br />
satiric and occasional, is far more competent and frequent. Yet the considerable<br />
body <strong>of</strong> verse here surveyed proves without question, with library<br />
inventories to back it up, that the southern colonial thoroughly enjoyed<br />
metrical expression, his own or someone else's.<br />
Much more than his New England contemporary, the southern colonial<br />
poet or poetaster followed contemporary English models, sometimes so<br />
closely that there is no clue within the verse to indicate its American origin.<br />
On the other hand, at least in the eighteenth century, he was developing<br />
a humorous, whimsical semi-satiric tone which was distinct from its European<br />
origins. And he was also learning to look about him and to describe<br />
what he saw, fauna and flora, rivers and mountains and bays, red men and<br />
white (still rarely black), which were in themselves quite different from<br />
their parallels in Great Britain or New England. Thus there came to be<br />
southern nature poetry, a southern elegy, and a southern satirical tradition<br />
compounded <strong>of</strong> whimsy and tolerance more <strong>of</strong>ten than vehemence. The<br />
southern colonial developed letter writing as an art, and in his journals<br />
and diaries as well as his poems he is frequently more introspective than<br />
intellectual historians have hitherto discovered.<br />
Finally, southern colonial writing which is principally belletristic leads<br />
straight into the literature <strong>of</strong> the first national period, and from there on<br />
to Faulkner. Southern hedonism, southern violence, southern expression in<br />
dialect, certain varieties <strong>of</strong> southern religion, southern backwoods and frontier<br />
humor, southern affinities with certain aspects <strong>of</strong> Old World cerebration,<br />
and pec:uliar combinations <strong>of</strong> the conservative and liberal in politics<br />
and economics, are among the qualities evident in our own time which<br />
show their roots in the writing from Maryland through Georgia in the<br />
period ending between 1763 and the Declaration <strong>of</strong> Independence.