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Literature, Principally Belletristic - University of Tennessee, Knoxville

Literature, Principally Belletristic - University of Tennessee, Knoxville

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· <strong>Literature</strong>,<br />

<strong>Principally</strong> <strong>Belletristic</strong> .<br />

as well as conventional eighteenth-century English lyrics and other forms<br />

were, one learns from his manuscripts, published in now-lost issues <strong>of</strong> the<br />

Virginia Gazette <strong>of</strong> this period.243<br />

In the London Magazine and Universal Magazine especially, Bolling<br />

continued to print his lyrics to the fair sex. In the January I764 number <strong>of</strong><br />

the former, for example, he published once over his own name, once over<br />

"Prometheus," and over "R.B." "Time's Address to the Ladies. This Imitation<br />

<strong>of</strong> Tasso, is most humbly inscribed to Miss E. Randolph, <strong>of</strong> James<br />

River, in Virginia" was in I790 reprinted in the Philadelphia American<br />

Museum (VII, Appendix, 80). It is a classic example <strong>of</strong> the carpe diem<br />

motif. "To My Wife" in the same issue is signed "R.B.," and "The Choice"<br />

is written above "Prometheus." In the February issue <strong>of</strong> the London Magazine<br />

"Prometheus" wrote for "Miss A. Miller <strong>of</strong> V.tt and for Stella a piece<br />

on "The Flamers," besides a poem "To my Flute." In the same month in<br />

the Universal Magazine appeared "A Canzonet <strong>of</strong> Chiabura imitated,"<br />

dated from Virginia and signed Robert Bolling, jun., and verses "To Miss<br />

Nancy Blair <strong>of</strong> Virginia, this imitation <strong>of</strong> Horace ... ," signed "Prome·<br />

theus." The Italian-inspired verses continue in this journal and the Virginia<br />

Gazette at least through I765. The last sure poetic glimpse in print <strong>of</strong><br />

"R.B." is his twelve-line "Madrigal. On the Death <strong>of</strong> an Infant," apparently<br />

his own child E[lizabeth? J Bolling being his subject. This appeared<br />

in the Williamsburg Purdie and Dixon Gazette, January I, I767. Political<br />

verses almost surely his appeared in the next several numbers <strong>of</strong> the Virginia<br />

Gazette.<br />

The principal eighteenth-century recognition <strong>of</strong> Bolling's ability came<br />

after his death in an essay in the Columbian Magazine (II, [April I788J,<br />

2 I I-2 I 3) signed "Observator." The writer declares that America has already<br />

produced a few real artists and that he wishes to consider them. First<br />

he takes Bolling, lineal descendant <strong>of</strong> Pocahontas, "one <strong>of</strong> the greatest<br />

poetical geniuses that ever existed," a fact that he has discovered by visiting<br />

Bolling's widow and Colonel Theodorick Bland and reading in the manuscript<br />

volumes his verse in Latin, French, Italian, and English, specifically<br />

comparing him with Metastasio. "Observator's" other neglected poet is<br />

from Boston, evidence that he is not a parochial critic. After his discussion<br />

<strong>of</strong> Bolling he gives in Italian a twelve-line character <strong>of</strong> "Messer Roberto<br />

Bolling" by the poet himself. Friend and Yorkshire schoolmate <strong>of</strong> Theodorick<br />

Bland, Richard Henry Lee, and Robert Munford, Bolling was <strong>of</strong><br />

the gifted generation <strong>of</strong> Thomas Jefferson and J ames Madison. These three<br />

British-educated young men did not, except for Lee, live so long or go so<br />

far as the two future Presidents, but they made their contributions to the<br />

southern mind at the same time that they were representative <strong>of</strong> it. Bolling's<br />

poetic gift and facility was an unusual one which will, one repeats,<br />

I479

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