Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
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• INTELLECTUAL LIFE IN THE COLONIAL SOUTH '<br />
quietly descriptive, the Itinerarium also indicates its author's ear for dialect<br />
(Negro, Scottish, or Dutch ) and his interest in folk sayings and rustic<br />
provincial dialogue. One <strong>of</strong> his earlier episodes, a stop at Treadway's Inn in<br />
Cecil County, Maryland, shows that he was as able at description <strong>of</strong> country<br />
colonial folk as Madame Knight showed herself to be in her account <strong>of</strong><br />
travels in New England. His book is largely a series <strong>of</strong> vignettes <strong>of</strong> individuals<br />
and <strong>of</strong> character types, drawn more obviously from living models<br />
than are those <strong>of</strong> William Byrd in his sketches. Quakers, Irishmen, Moravians,<br />
Dutchmen, New England Yankees, and representatives <strong>of</strong> "occupations"<br />
such as would·be gentlemen, tavern keepers, and bullies are among<br />
the subjects <strong>of</strong> his pen. Like the later Washington Irving, he saw people<br />
and incidents in terms <strong>of</strong> line and color, and he could sketch them in crayons<br />
or delineate them verbally. His was probably the second earliest recorded<br />
use <strong>of</strong> the term buckskin to denote a provincial frontiersman (a<br />
few years later Landon Carter <strong>of</strong>ten signed himself A Buckskin in the newspapers<br />
). His literary allusions are frequent, from Rabelais and Montaigne<br />
and Cervantes to Shakespeare and Fielding. Only two years after the publication<br />
<strong>of</strong> Joseph Andrews, he passed judgment on the novel, and it is<br />
perceptive criticism.<br />
In Philadelphia, New York, and Boston he was the guest <strong>of</strong> convivial<br />
clubs, for he seems to have had entrees everywhere he went. Like all true<br />
satirists, he tested for congruity. In Philadelphia he "observed severall<br />
comicall, grotesque phizzes in the inn . . . which would have afforded<br />
variety <strong>of</strong> hints for a painter <strong>of</strong> Hogarth's turn" (p. 18). Music and the<br />
pictorial arts he noted frequently and conversed with painters and composers<br />
and recorded his judgment <strong>of</strong> their creations or on performances <strong>of</strong><br />
their works. Like Byrd on the Dividing Line expedition, Hamilton en route<br />
through the rural area is a gentleman among boors, and like the Virginian<br />
he views and depicts primitive living-food, beds, houses-with distaste,<br />
and describes people and manners <strong>of</strong> life ironically. Medical facilities<br />
and practice he observes with interest. The reminders <strong>of</strong> the New<br />
Light Presbyterians and other evangelicals he treats with sharp satire,<br />
probably partly because <strong>of</strong> his own Presbyterian background and the fact<br />
that he was now a practicing Anglican. And he recounts a number <strong>of</strong><br />
humorous and by no means original anecdotes, really American versions<br />
<strong>of</strong> timeless tales <strong>of</strong> quacks, personal family feuds, and what has been<br />
called a colonial version <strong>of</strong> a snipe hunt--<strong>of</strong> a fox and a gullible bumpkin.<br />
A delightful book is this travel-diary narrative, not at all a promotion<br />
tract. It is one <strong>of</strong> our few examples <strong>of</strong> a complete sense <strong>of</strong> the droll qualities<br />
<strong>of</strong> colonial life.<br />
The "History <strong>of</strong> the Tuesday Club" and the earlier "Record" are better<br />
work than the Itinerarium, though the mock-histories and the travel ac-