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FEATURES | MARRAKECH<br />

PLAYED OUT AGAINST a backdrop of<br />

vibrant cultural colour, the late Marrakech<br />

afternoon is like nothing else on earth. The<br />

souks are packed with bargains and bustle;<br />

the people cloaked in hooded djellaba<br />

robes. Bundles of wool carpets from the<br />

High Atlas mountains are stacked up next<br />

to dazzling brass trays inscribed with the<br />

names of God, baskets of dried damask<br />

roses and mounds of pungent incense<br />

and antimony, and the endless shops are<br />

crammed with treasures from the remotest<br />

reaches of the desert.<br />

70 | TRAVELLER | MARCH 11<br />

This is the Marrakech that lures<br />

countless visitors each year; the city of<br />

snake charmers, the crème de la crème<br />

of the exotic East. It’s irresistible and<br />

enchanting, a realm that bewitches all<br />

of those who set eyes upon it.<br />

But if you can extract yourself from<br />

the labyrinthine medina there’s another<br />

Marrakech to be found. Elusive, yet equally<br />

alluring, it was laid out during the French<br />

Occupation and is called Guéliz. This new<br />

town is misunderstood by most visitors,<br />

who take it at face value. But dig down<br />

below the surface and the rewards – both in<br />

terms of culture and style – are astonishing.<br />

By obsessing over the old medina, many<br />

visitors miss out entirely on the hip new<br />

face of the Pink City. A wild mix of galleries,<br />

restaurants, bars and boutiques, Guéliz<br />

attracts the big names in couture. And for<br />

every Jean Paul Gautier and Yves Saint<br />

Laurent there are dozens of others – some<br />

Moroccan, some from elsewhere – whose<br />

work is touched by the desert magic.<br />

Take a left off Avenue Mohammed V<br />

down a slim alleyway, and you come

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