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FEATURES | MARRAKECH<br />
PLAYED OUT AGAINST a backdrop of<br />
vibrant cultural colour, the late Marrakech<br />
afternoon is like nothing else on earth. The<br />
souks are packed with bargains and bustle;<br />
the people cloaked in hooded djellaba<br />
robes. Bundles of wool carpets from the<br />
High Atlas mountains are stacked up next<br />
to dazzling brass trays inscribed with the<br />
names of God, baskets of dried damask<br />
roses and mounds of pungent incense<br />
and antimony, and the endless shops are<br />
crammed with treasures from the remotest<br />
reaches of the desert.<br />
70 | TRAVELLER | MARCH 11<br />
This is the Marrakech that lures<br />
countless visitors each year; the city of<br />
snake charmers, the crème de la crème<br />
of the exotic East. It’s irresistible and<br />
enchanting, a realm that bewitches all<br />
of those who set eyes upon it.<br />
But if you can extract yourself from<br />
the labyrinthine medina there’s another<br />
Marrakech to be found. Elusive, yet equally<br />
alluring, it was laid out during the French<br />
Occupation and is called Guéliz. This new<br />
town is misunderstood by most visitors,<br />
who take it at face value. But dig down<br />
below the surface and the rewards – both in<br />
terms of culture and style – are astonishing.<br />
By obsessing over the old medina, many<br />
visitors miss out entirely on the hip new<br />
face of the Pink City. A wild mix of galleries,<br />
restaurants, bars and boutiques, Guéliz<br />
attracts the big names in couture. And for<br />
every Jean Paul Gautier and Yves Saint<br />
Laurent there are dozens of others – some<br />
Moroccan, some from elsewhere – whose<br />
work is touched by the desert magic.<br />
Take a left off Avenue Mohammed V<br />
down a slim alleyway, and you come