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ticular experience that gave rise to the word<br />

“nightmare.” Nightmare has come to be a<br />

synonym for “bad dream,” but traditionally<br />

nightmare (from the Anglo-Saxon nicht<br />

[night] and mara [incubus or succubus]) referred<br />

to a specific nocturnal experience. A<br />

menacing supernatural entity, often perceived<br />

as an ugly witch, enters a bedroom and sits on<br />

the witness’s chest, leaving him or her with the<br />

sensation of being crushed. All the while the<br />

victim lies paralyzed and helpless.<br />

Though the experience occurs frequently<br />

to Americans—one in six, according to a scientist<br />

who has studied the phenomenon—<br />

American culture has no name for it. Thus,<br />

those who undergo it are at a loss to understand<br />

it or to put it into any larger context.<br />

Many, having never heard of others’ experiences,<br />

are left wondering about their sanity.<br />

Old Hag 193<br />

Henri Fuseli, The Nightmare, 1781 (The Detroit Institute of the Arts, gift of Mr. and Mrs. Bert L. Smokler and Mr. and<br />

Mrs. Lawrence A. Fleishman)<br />

The Old Hag is the subject of a classic<br />

work, The Terror That Comes in the Night<br />

(1982), by David J. Hufford, a medical scientist<br />

and folklorist at Pennsylvania State University.<br />

Hufford uses the experience, among<br />

other things, to scrutinize the way psychologists<br />

have dealt with such reports and to examine<br />

the trustworthiness of eyewitness testimony<br />

to anomalous events. Most scientists<br />

and scholars have sought to explain Old Hag<br />

attacks as the result of perceptual errors, faulty<br />

memories, lies, psychotic episodes, or hallucinations<br />

shaped by images in the claimants’<br />

cultural environment. According to Hufford,<br />

they have often discarded witness testimony,<br />

resulting in what Hufford charges was an effort<br />

to reinvent the experience so that it could<br />

be “explained.” Referring to a study by early<br />

psychoanalyst and Freud biographer Ernest

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