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74 Cottingley fairies<br />

Frances Griffiths with “fairies,” photographed at Cottingley, West Yorkshire, July 1917 (Fortean Picture Library)<br />

thor of the Sherlock Holmes stories and then<br />

an avid spiritualist, heard about the matter.<br />

Doyle had Gardner take the pictures to the<br />

Kodak laboratory in London, where two experts<br />

neither endorsed nor repudiated them.<br />

In the summer, when Gardner met the<br />

Wrights for the first time, he provided Elsie<br />

with a modern camera. In short order, she and<br />

Frances had three new fairy photographs.<br />

Doyle wrote two articles for the popular<br />

magazine The Strand (December 1920 and<br />

March 1921 issues), declaring the pictures as<br />

proof of the existence of fairies. Doyle endured<br />

a great deal of ridicule for his advocacy<br />

of what many saw as a transparent hoax, but<br />

that did not stop him from elaborating on the<br />

matter in a revealingly titled book, The Com -<br />

ing of the Fairies (1922). The year before, in<br />

1921, a self-described clairvoyant named<br />

Geoffrey Hodson, also a Theosophist, had accompanied<br />

the girls to the beck where the<br />

fairies lived. He claimed to have observed<br />

many of them, though the girls saw nothing<br />

and attempts to photograph the entities came<br />

to naught.<br />

Two and a half decades later, Ga rd n e r<br />

w rote a memoir of the episode. He was still<br />

convinced of the authenticity of the Cottingley<br />

fairies. Occultists who championed the<br />

p i c t u res noted that the two girls, now grow n<br />

women, had never admitted to hoaxing, eve n<br />

when prompted to do so. Still, their answe r s<br />

tended to be more equivocal than their advocates<br />

seemed to understand; when they said,<br />

for example, that these we re photographs of<br />

“figments of our imaginations,” the occultists<br />

assumed they we re talking about “t h o u g h t<br />

f o r m s”—paranormal projections from the<br />

mind to photographic film. But in a 1975 int<br />

e rv i ew for Wo m a n magazine, the two old<br />

women appeared to respond more positive l y<br />

to the inevitable questions. The follow i n g<br />

ye a r, when asked by Yo rk s h i re Television if<br />

the photos we re fakes, Fr a n c e s’s response was

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