extraordinary%20encounters
extraordinary%20encounters
extraordinary%20encounters
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74 Cottingley fairies<br />
Frances Griffiths with “fairies,” photographed at Cottingley, West Yorkshire, July 1917 (Fortean Picture Library)<br />
thor of the Sherlock Holmes stories and then<br />
an avid spiritualist, heard about the matter.<br />
Doyle had Gardner take the pictures to the<br />
Kodak laboratory in London, where two experts<br />
neither endorsed nor repudiated them.<br />
In the summer, when Gardner met the<br />
Wrights for the first time, he provided Elsie<br />
with a modern camera. In short order, she and<br />
Frances had three new fairy photographs.<br />
Doyle wrote two articles for the popular<br />
magazine The Strand (December 1920 and<br />
March 1921 issues), declaring the pictures as<br />
proof of the existence of fairies. Doyle endured<br />
a great deal of ridicule for his advocacy<br />
of what many saw as a transparent hoax, but<br />
that did not stop him from elaborating on the<br />
matter in a revealingly titled book, The Com -<br />
ing of the Fairies (1922). The year before, in<br />
1921, a self-described clairvoyant named<br />
Geoffrey Hodson, also a Theosophist, had accompanied<br />
the girls to the beck where the<br />
fairies lived. He claimed to have observed<br />
many of them, though the girls saw nothing<br />
and attempts to photograph the entities came<br />
to naught.<br />
Two and a half decades later, Ga rd n e r<br />
w rote a memoir of the episode. He was still<br />
convinced of the authenticity of the Cottingley<br />
fairies. Occultists who championed the<br />
p i c t u res noted that the two girls, now grow n<br />
women, had never admitted to hoaxing, eve n<br />
when prompted to do so. Still, their answe r s<br />
tended to be more equivocal than their advocates<br />
seemed to understand; when they said,<br />
for example, that these we re photographs of<br />
“figments of our imaginations,” the occultists<br />
assumed they we re talking about “t h o u g h t<br />
f o r m s”—paranormal projections from the<br />
mind to photographic film. But in a 1975 int<br />
e rv i ew for Wo m a n magazine, the two old<br />
women appeared to respond more positive l y<br />
to the inevitable questions. The follow i n g<br />
ye a r, when asked by Yo rk s h i re Television if<br />
the photos we re fakes, Fr a n c e s’s response was