1What is online journalism? - Ayo Menulis FISIP UAJY
1What is online journalism? - Ayo Menulis FISIP UAJY
1What is online journalism? - Ayo Menulis FISIP UAJY
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What <strong>is</strong> <strong>online</strong> journal<strong>is</strong>m? 3<br />
ra<strong>is</strong>ed user expectations far beyond a level attainable by anyone at<br />
the present time’. 3 Influential commentators, such as Jakob<br />
Nielsen, deride Wap for its ‘m<strong>is</strong>erable usability’. 4 We live in<br />
confusing times.<br />
Hard-headed businessmen are not immune to the excitement.<br />
At the height of the mobile Internet frenzy, the UK telecommunications<br />
group BT paid the Brit<strong>is</strong>h government £4 billion<br />
pounds for a licence to use ‘third generation’ mobile phones at<br />
some future date. At least they cannot be accused of not putting<br />
their money where their mouth <strong>is</strong>.<br />
New economic models have been floated. In h<strong>is</strong> excellent<br />
collection of ‘Web studies’, David Gauntlett (2000) expands on<br />
Michael Goldhaber’s concept of the ‘attention economy’. With so<br />
much to see on the Web, and so little time to look, attention has<br />
become the new gold standard.<br />
You can’t buy attention . . . you can’t make (people) interested<br />
in what you have to say, unless they actually find the content<br />
of what you have to say engaging. So money <strong>is</strong> less powerful<br />
than usual on the Web. But if you can gather a lot of attention,<br />
you can then, potentially, translate that into money.<br />
Note the word ‘potentially’. As Gauntlett acknowledges, some of<br />
the ‘money’ made in the attention economy <strong>is</strong> based on stock<br />
market valuation. And we have seen what can happen to that.<br />
However, he cites others such as Netscape and Vincent Flanders,<br />
who have benefited in more tangible ways.<br />
Of course, the problem <strong>is</strong> that for every Netscape there have<br />
been a thousand net losses. Much of th<strong>is</strong> has been the fault of the<br />
digital evangel<strong>is</strong>ts, some of whom have elevated hyperbole<br />
beyond an art form.<br />
As Greg Knauss explains:<br />
Twice a year or so, like clockwork, a new technology or<br />
paradigm sweeps over the face of the Internet, prom<strong>is</strong>ing to<br />
3 It-director.com quoted in Dot Journal<strong>is</strong>m. (www.journal<strong>is</strong>m.co.uk/ezine_plus/<br />
dotjark/story 141.shtml).<br />
4 www.useit.com