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1What is online journalism? - Ayo Menulis FISIP UAJY

1What is online journalism? - Ayo Menulis FISIP UAJY

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What <strong>is</strong> <strong>online</strong> journal<strong>is</strong>m? 3<br />

ra<strong>is</strong>ed user expectations far beyond a level attainable by anyone at<br />

the present time’. 3 Influential commentators, such as Jakob<br />

Nielsen, deride Wap for its ‘m<strong>is</strong>erable usability’. 4 We live in<br />

confusing times.<br />

Hard-headed businessmen are not immune to the excitement.<br />

At the height of the mobile Internet frenzy, the UK telecommunications<br />

group BT paid the Brit<strong>is</strong>h government £4 billion<br />

pounds for a licence to use ‘third generation’ mobile phones at<br />

some future date. At least they cannot be accused of not putting<br />

their money where their mouth <strong>is</strong>.<br />

New economic models have been floated. In h<strong>is</strong> excellent<br />

collection of ‘Web studies’, David Gauntlett (2000) expands on<br />

Michael Goldhaber’s concept of the ‘attention economy’. With so<br />

much to see on the Web, and so little time to look, attention has<br />

become the new gold standard.<br />

You can’t buy attention . . . you can’t make (people) interested<br />

in what you have to say, unless they actually find the content<br />

of what you have to say engaging. So money <strong>is</strong> less powerful<br />

than usual on the Web. But if you can gather a lot of attention,<br />

you can then, potentially, translate that into money.<br />

Note the word ‘potentially’. As Gauntlett acknowledges, some of<br />

the ‘money’ made in the attention economy <strong>is</strong> based on stock<br />

market valuation. And we have seen what can happen to that.<br />

However, he cites others such as Netscape and Vincent Flanders,<br />

who have benefited in more tangible ways.<br />

Of course, the problem <strong>is</strong> that for every Netscape there have<br />

been a thousand net losses. Much of th<strong>is</strong> has been the fault of the<br />

digital evangel<strong>is</strong>ts, some of whom have elevated hyperbole<br />

beyond an art form.<br />

As Greg Knauss explains:<br />

Twice a year or so, like clockwork, a new technology or<br />

paradigm sweeps over the face of the Internet, prom<strong>is</strong>ing to<br />

3 It-director.com quoted in Dot Journal<strong>is</strong>m. (www.journal<strong>is</strong>m.co.uk/ezine_plus/<br />

dotjark/story 141.shtml).<br />

4 www.useit.com

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