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1What is online journalism? - Ayo Menulis FISIP UAJY

1What is online journalism? - Ayo Menulis FISIP UAJY

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The core journal<strong>is</strong>m 61<br />

paramount importance. Indeed, they are so important that<br />

Chapters 4 and 5 are devoted to an examination of them. But the<br />

selection process extends to other areas such as multimedia. Here<br />

we will concentrate on audio, because it <strong>is</strong> more accessible for the<br />

<strong>online</strong> user.<br />

Editing audio<br />

Th<strong>is</strong> sounds like something you might do after the interview. Yet,<br />

in fact, you start the editing process when you initially research<br />

your story. If your preparation produces a more structured and<br />

focused interview, it will also probably be a shorter one. Th<strong>is</strong> <strong>is</strong> a<br />

form of editing.<br />

With practice, you will also find yourself ‘editing’ in your head<br />

during the interview by ditching certain questions and changing<br />

lines of attack. Again, thorough preparation will give you more<br />

freedom to think th<strong>is</strong> way during the interview. As a result, you<br />

will have less editing to do and a clearer idea of what should stay<br />

and what should go during the edit.<br />

Without adequate preparation, the interview will probably end<br />

up as with a long, rambling conversation which travels down<br />

various cul-de-sacs and diversions. You will then be rewarded with<br />

a ‘double whammy’ when it comes to editing, particularly under<br />

pressure. The interview will have taken longer to conduct, so you<br />

have (1) less time to edit, but (2) more to l<strong>is</strong>ten to on play back.<br />

It will feel like events are conspiring against you. But they are not.<br />

Such difficulties are self-inflicted.<br />

Whenever you are editing factual audio, the Golden Rules are:<br />

l<strong>is</strong>ten to the interview carefully first and only download what<br />

you need to edit;<br />

l<strong>is</strong>ten to the rhythm, pace, cadence and sound level of the<br />

voice(s) you are editing;<br />

always l<strong>is</strong>ten back to your edit before transm<strong>is</strong>sion; and<br />

never alter the sense or otherw<strong>is</strong>e m<strong>is</strong>represent what has been<br />

said by the interviewee.<br />

The Golden Rules apply to both the main types of edits. These can<br />

be summarized as:

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