1What is online journalism? - Ayo Menulis FISIP UAJY

More documents

Recommendations

Info

Design your web resource 201 Different types of colour There are four different classifications of colour. Knowing them and how they relate to each other will guide you towards wise colour choice. Primary – red, blue and green (not yellow). The difference to the paintbox primaries is because, in web design, the primary colours are defined by how a monitor works. Do not combine these colours on screen (e.g. red text on a blue background). Secondary – the colours created by mixing two of the primary colours. Analogous – the colours that are next to each other on the colour wheel. They are closely related because they have a colour in common (e.g. green, yellow-green and yellow). So analogous colours are usually harmonious and pleasing to the eye. Complementary – these colours are opposite each other on the colour wheel. They can look dynamic and exciting and almost seem to vibrate when placed side by side. Be warned, however, as they can actually fuzz detail, especially text. Type As David Siegel (1997) notes: Type plays an important role on almost any web page . . . Compared to other kinds of graphics, type is an inexpensive source of raw material that can be used over and over to great effect. You don’t have to hire an illustrator, take photographs or create custom illustrations. Simply use type to give your pages a unique look and feel. You will be familiar with the font facility on your word processing package. Choose a certain type and size and it appears on the screen. However, it is not as simple as that on the web. You may use a certain font on your site, but your user may have selected a different font as the default on his or her browser. You can override this with the design specifications of your page but, as
202 Journalism Online Figure 7.8: Fonts come in different groups. Oldstyle Modern Stress Serifs Figure 7.9: The choice of font is important. An ‘oldstyle’ typeface, with its slanted stresses and serifs, can be easier to read in large quantities of body text than a more upright, modern font, particularly those fonts which are also without (sans) serif. These can work well for headings.
Page 2 and 3:
Journalism Online
Page 4 and 5:
Journalism Online Mike Ward Focal P
Page 6 and 7:
Contents Acknowledgements vii 1 Wha
Page 8 and 9:
Acknowledgements First I would like
Page 10 and 11:
1 What is online journalism? ‘Onl
Page 12 and 13:
What is online journalism? 3 raised
Page 14 and 15:
What is online journalism? 5 They w
Page 16 and 17:
What is online journalism? 7 There
Page 18 and 19:
What is online journalism? 9 Online
Page 20 and 21:
What is online journalism? 11 Figur
Page 22 and 23:
What is online journalism? 13 E-mai
Page 24 and 25:
Page 26 and 27:
Page 28 and 29:
What is online journalism? 19 brief
Page 30 and 31:
What is online journalism? 21 requi
Page 32 and 33:
What is online journalism? 23 as ma
Page 34 and 35:
What is online journalism? 25 This
Page 36 and 37:
What is online journalism? 27 neces
Page 38 and 39:
2 The core journalism ‘Straight.
Page 40 and 41:
The core journalism 31 events and i
Page 42 and 43:
The core journalism 33 others might
Page 44 and 45:
The core journalism 35 and content
Page 46 and 47:
The core journalism 37 Trigger 3 -
Page 48 and 49:
The core journalism 39 information
Page 50 and 51:
The core journalism 41 commodity. T
Page 52 and 53:
The core journalism 43 companies, c
Page 54 and 55:
The core journalism 45 about a lot.
Page 56 and 57:
The core journalism 47 journalist t
Page 58 and 59:
The core journalism 49 ask the toug
Page 60 and 61:
The core journalism 51 directly on
Page 62 and 63:
The core journalism 53 demonstrate
Page 64 and 65:
The core journalism 55 and the inte
Page 66 and 67:
The core journalism 57 recording co
Page 68 and 69:
The core journalism 59 Moving pictu
Page 70 and 71:
The core journalism 61 paramount im
Page 72 and 73:
The core journalism 63 Present The
Page 74 and 75:
The core journalism 65 www.holdthe
Page 76 and 77:
3 Online research and reporting ‘
Page 78 and 79:
Online research and reporting 69 f
Page 80 and 81:
Online research and reporting 71 Wh
Page 82 and 83:
Online research and reporting 73 th
Page 84 and 85:
Online research and reporting 75 So
Page 86 and 87:
Online research and reporting 77 Re
Page 88 and 89:
Online research and reporting 79 Fi
Page 90 and 91:
Online research and reporting 81 hu
Page 92 and 93:
Online research and reporting 83 w
Page 94 and 95:
Online research and reporting 85 Yo
Page 96 and 97:
Online research and reporting 87 co
Page 98 and 99:
Online research and reporting 89 wi
Page 100 and 101:
Online research and reporting 91 Tr
Page 102 and 103:
Online research and reporting 93 Tr
Page 104 and 105:
Online research and reporting 95 Fi
Page 106 and 107:
Online research and reporting 97 Yo
Page 108 and 109:
Online research and reporting 99 CA
Page 110 and 111:
Online research and reporting 101
Page 112 and 113:
Writing 103 You can write anything
Page 114 and 115:
Writing 105 Sentences You should al
Page 116 and 117:
Writing 107 In addition to these gu
Page 118 and 119:
Writing 109 the idea that it commu
Page 120 and 121:
Writing 111 end. This is a linear c
Page 122 and 123:
Writing 113 Here we should cast our
Page 124 and 125:
Writing 115 This means getting to t
Page 126 and 127:
Writing 117 Leslie Sellers (1968) o
Page 128 and 129:
Writing 119 information, for exampl
Page 130 and 131:
5 Online story construction ‘The
Page 132 and 133:
Online story construction 123 Rule
Page 134 and 135:
Online story construction 125 compl
Page 136 and 137:
Online story construction 127 web t
Page 138 and 139:
Online story construction 129 Crawf
Page 140 and 141:
Online story construction 131 devel
Page 142 and 143:
Online story construction 133 Figur
Page 144 and 145:
Online story construction 135 Multi
Page 146 and 147:
Online story construction 137 For t
Page 148 and 149:
Page 150 and 151:
Online story construction 141 Linka
Page 152 and 153:
Online story construction 143 Howev
Page 154 and 155:
Online story construction 145 The t
Page 156 and 157:
Page 158 and 159:
Online story construction 149 Furth
Page 160 and 161: Who’s afraid of HTML? 151 Althoug
Page 162 and 163: Who’s afraid of HTML? 153 I have
Page 164 and 165: Who’s afraid of HTML? 155 all but
Page 166 and 167: Who’s afraid of HTML? 157 And thi
Page 168 and 169: Who’s afraid of HTML? 159 Heading
Page 170 and 171: Who’s afraid of HTML? 161 sans-s
Page 172 and 173: Who’s afraid of HTML? 163 In Note
Page 174 and 175: Design your web resource 165 usuall
Page 176 and 177: Design your web resource 167 To do
Page 178 and 179: Design your web resource 169 trying
Page 180 and 181: Design your web resource 171 User i
Page 182 and 183: Design your web resource 173 design
Page 184 and 185: Design your web resource 175 Analys
Page 186 and 187: Design your web resource 177 All of
Page 188 and 189: Design your web resource 179 calcul
Page 190 and 191: Design your web resource 181 Figure
Page 192 and 193: Design your web resource 183 Figure
Page 194 and 195: Design your web resource 185 As Mat
Page 196 and 197: Design your web resource 187 this k
Page 198 and 199: Design your web resource 189 presen
Page 200 and 201: Design your web resource 191 genera
Page 202 and 203: Design your web resource 193 the we
Page 204 and 205: Design your web resource 195 Metaph
Page 206 and 207: Design your web resource 197 that y
Page 208 and 209: Design your web resource 199 TheMad
Page 212 and 213: Design your web resource 203 Willia
Page 214 and 215: Design your web resource 205 TheMad
Page 216 and 217: Design your web resource 207 Krug m
Page 218 and 219: Index AltaVista, 75 AOL-Time Warner
Page 220 and 221: Index 211 font, 160 headings, 158-9
Page 222 and 223: Index 213 Searching: Boolean logic,
show all

1What is online journalism? - Ayo Menulis FISIP UAJY

Create successful ePaper yourself

Delete template?

Save as template?