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1What is online journalism? - Ayo Menulis FISIP UAJY

1What is online journalism? - Ayo Menulis FISIP UAJY

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Online story construction 137<br />

For the smaller operation, the take-up <strong>is</strong> even patchier, but the<br />

potential <strong>is</strong> still there. Despite the cultural and organizational<br />

barriers at the major newspapers, it <strong>is</strong> relatively easy to gather and<br />

d<strong>is</strong>tribute audio in particular. It <strong>is</strong> an almost completely unused<br />

facility on non-news sites, outside the entertainment sector. Why<br />

do charity sites not have appeals in audio? Why do travel sites not<br />

provide audio brochures? Why do all sites not have audio<br />

alternatives for the v<strong>is</strong>ually impaired?<br />

There are d<strong>is</strong>tinct advantages to accessing audio and video<br />

<strong>online</strong>. These include:<br />

the ability to find it (you can seek out the audio and video that<br />

interests you);<br />

the flexibility of access (you can choose when to watch or<br />

l<strong>is</strong>ten)<br />

the range of access ( you can hear and see material that you<br />

would not otherw<strong>is</strong>e be able to, for example broadcasts from<br />

other countries not available on cable or satellite); and<br />

the storage capacity (you can l<strong>is</strong>ten to it again and again).<br />

These are <strong>is</strong>sues of access, but what about innovation, particularly<br />

within <strong>online</strong> journal<strong>is</strong>m? There are some examples. BBC News<br />

Online reported live from the funeral of King Hussein of Jordan by<br />

combining a live video feed with Arabic commentary from the<br />

BBC World Service’s Arabic Service.<br />

Web radio has also taken off. To a degree, it has democratized<br />

the power to communicate through the audio medium. Once<br />

again, however, it has been a delivery innovation rather than an<br />

editorial one. In the main, news organizations have yet to push the<br />

boundaries of multimedia, particularly at the story level.<br />

For example, if it became standard practice to offer the full<br />

interview as well as the soundbite, it might do wonders for<br />

politicians’ interview technique. For too long they have relied on<br />

the constraints of the linear medium. Reporters ask them five<br />

different questions, but they give the same single answer<br />

because they know only ten seconds of the interview will be<br />

used. When you l<strong>is</strong>ten to the full interview, the evasion <strong>is</strong><br />

obvious. Of course, the voter would rarely, if ever, hear the full<br />

interview. With <strong>online</strong> they could, if it were offered. But don’t

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