1What is online journalism? - Ayo Menulis FISIP UAJY
1What is online journalism? - Ayo Menulis FISIP UAJY
1What is online journalism? - Ayo Menulis FISIP UAJY
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4 Journal<strong>is</strong>m Online<br />
transform not only the medium, but the very fabric of our lives.<br />
‘It’s revolutionary!’ proponents shout. ‘It’s amazing. It’s the<br />
next new thing!’<br />
And instead, it turns out to be, well, nothing. Given a few<br />
months in the sun, the next new thing inevitable sags and wilts,<br />
either d<strong>is</strong>appearing altogether or simply fading into the<br />
background of niche usage. 5<br />
The innocent are swept up in the lemming rush too. Overnight,<br />
companies – widget makers the world over – were told that they had<br />
to have a web presence. Never mind that they knew as much about<br />
content creation and design as the average journal<strong>is</strong>t knows about<br />
commerce and balance sheets.<br />
The results, on d<strong>is</strong>play for all (and that means the whole world) to<br />
see can be painful. In a recent survey of UK companies 6 , the content<br />
management consultancy MediaSurface found that 77% publ<strong>is</strong>hed<br />
out-of-date information on the web. Many companies, they<br />
concluded, had ‘lost control’ of their web sites.<br />
But let’s stop there. Time to give the barometer a tap. The needle<br />
seems to be stuck again on doom and gloom. Is there no middle<br />
ground?<br />
One of the problems, of course, <strong>is</strong> that the ‘digital revolution’,<br />
with all the attendant hype, <strong>is</strong> a child of its time. The Internet and its<br />
applications such as the World Wide Web have not enjoyed the<br />
freedom of other, earlier, media. Radio and telev<strong>is</strong>ion were both<br />
revolutionary in their day. But they were allowed to experience<br />
their growing pains away from the glare of intense expectation on a<br />
global scale. They also didn’t have to grapple with that most<br />
voracious monster, the marketing machinery of late-twentiethcentury<br />
capital<strong>is</strong>m.<br />
If people had bought their first telev<strong>is</strong>ion sets in the UK, to watch<br />
the coronation of Queen Elizabeth II, expecting to see the<br />
ceremony in full colour from fifteen different camera angles, with<br />
edited highlights and slow motion replays, they would have queued<br />
up to return their sets afterwards and demand their money back.<br />
5 www.theobvious.com<br />
6 Publ<strong>is</strong>hed in September 2000 and quoted in Dot Journal<strong>is</strong>m. (www.journal-<br />
<strong>is</strong>m.co.uk/ezine_plus/dotjpub/story 166.shtml).