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1What is online journalism? - Ayo Menulis FISIP UAJY

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4 Journal<strong>is</strong>m Online<br />

transform not only the medium, but the very fabric of our lives.<br />

‘It’s revolutionary!’ proponents shout. ‘It’s amazing. It’s the<br />

next new thing!’<br />

And instead, it turns out to be, well, nothing. Given a few<br />

months in the sun, the next new thing inevitable sags and wilts,<br />

either d<strong>is</strong>appearing altogether or simply fading into the<br />

background of niche usage. 5<br />

The innocent are swept up in the lemming rush too. Overnight,<br />

companies – widget makers the world over – were told that they had<br />

to have a web presence. Never mind that they knew as much about<br />

content creation and design as the average journal<strong>is</strong>t knows about<br />

commerce and balance sheets.<br />

The results, on d<strong>is</strong>play for all (and that means the whole world) to<br />

see can be painful. In a recent survey of UK companies 6 , the content<br />

management consultancy MediaSurface found that 77% publ<strong>is</strong>hed<br />

out-of-date information on the web. Many companies, they<br />

concluded, had ‘lost control’ of their web sites.<br />

But let’s stop there. Time to give the barometer a tap. The needle<br />

seems to be stuck again on doom and gloom. Is there no middle<br />

ground?<br />

One of the problems, of course, <strong>is</strong> that the ‘digital revolution’,<br />

with all the attendant hype, <strong>is</strong> a child of its time. The Internet and its<br />

applications such as the World Wide Web have not enjoyed the<br />

freedom of other, earlier, media. Radio and telev<strong>is</strong>ion were both<br />

revolutionary in their day. But they were allowed to experience<br />

their growing pains away from the glare of intense expectation on a<br />

global scale. They also didn’t have to grapple with that most<br />

voracious monster, the marketing machinery of late-twentiethcentury<br />

capital<strong>is</strong>m.<br />

If people had bought their first telev<strong>is</strong>ion sets in the UK, to watch<br />

the coronation of Queen Elizabeth II, expecting to see the<br />

ceremony in full colour from fifteen different camera angles, with<br />

edited highlights and slow motion replays, they would have queued<br />

up to return their sets afterwards and demand their money back.<br />

5 www.theobvious.com<br />

6 Publ<strong>is</strong>hed in September 2000 and quoted in Dot Journal<strong>is</strong>m. (www.journal-<br />

<strong>is</strong>m.co.uk/ezine_plus/dotjpub/story 166.shtml).

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