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1What is online journalism? - Ayo Menulis FISIP UAJY

1What is online journalism? - Ayo Menulis FISIP UAJY

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58 Journal<strong>is</strong>m Online<br />

away and it can be dominated by the surroundings. If you<br />

position the subject off-centre, it can add perspective.<br />

Informative – surroundings that are incons<strong>is</strong>tent or even<br />

contradictory to the subject weaken the message. For example,<br />

you would not take a picture of protestors seeking safer speed<br />

limits in their neighbourhood and show them standing by an<br />

empty road. However, if your background <strong>is</strong> unnecessarily<br />

busy, it will d<strong>is</strong>tract from the primary subject-matter. Simple<br />

backgrounds can show your subject off to best effect.<br />

Of course, these considerations of how to frame your shot tell only<br />

part of the story. They would apply equally well to your holiday<br />

snaps as a news picture. What about the editorial value of<br />

pictures? How can they contribute to your storytelling or tell<br />

stories of their own?<br />

Th<strong>is</strong> extract by Bill Pierce on the ‘Digital Journal<strong>is</strong>t’ web site<br />

offers a vivid insight into the work of the photojournal<strong>is</strong>t –<br />

constantly evaluating the editorial content of each picture while<br />

also constructing the shot and getting it pinsharp:<br />

You zoom back and show the candidate against the flag. You<br />

try several frames with him at the edge of the frame. The<br />

frame on the flag <strong>is</strong> exact. And the depth-of-field preview<br />

shows that the flag <strong>is</strong> recognizable. The candidate starts to<br />

sweat under the heat of the telev<strong>is</strong>ion lights; so, you zoom in<br />

as tight as you can. You feel bad about not including the press<br />

secretary looking bored and eating Cheese Duds at the edge<br />

of the frame, but you’re going for the impact colour cover, not<br />

the revealing side bar that will end up in the wastebasket.<br />

Wait a second, you’ve got a zoom and a motor. You zoom back<br />

just a hair and knock off just one frame that includes the bag<br />

of Cheese Duds. It won’t make it into the mag, but it may be<br />

good for the contests. 3<br />

In th<strong>is</strong> piece Pierce was in fact d<strong>is</strong>cussing the relative merits of<br />

two different cameras, but as an insight into the editorial power of<br />

the photojournal<strong>is</strong>t, well . . . you get the picture.<br />

3 www.dirckhalstead.org

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