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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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Introduction 3<br />

who converted from Roman Catholicism to Protestantism and from Protestantism to<br />

Roman Catholicism respectively, which of their poems are for Rome and which are for<br />

Geneva.<br />

The difficulty in defining the differences in these Christian sects is one that has<br />

existed since the Reformation began, and so it is no wonder that current scholarship of<br />

literature that is so filled with anxiety of ecclesiastical identity would also vacillate over<br />

categorising writers. In the devotional poetry of the period this becomes even more<br />

problematic, in that it is not just the religious persuasion of the writer that is argued over;<br />

rather, at times it is even poem by poem that the debate takes place. In the scholarly quests<br />

for distinctions, arguments can exist over the mention of the Virgin Mary; was she solely<br />

the devotional right of Roman Catholicism? Or is predestination and the mention of the<br />

‘elect’ a clear sign of a poet’s Calvinistic leanings? And if a poet is a Calvinist, does this<br />

place him in the camp of the Church of England or that of the Puritans? The problem, as<br />

will be shown, is that, despite all of the differences that exist between these three main<br />

sects of English Christianity, there is a series of shared foundational beliefs that undergird<br />

all of Christianity, and these places of agreement are more important to the religion than<br />

the places of disagreement. The creeds of the early Church were adopted by all three sects<br />

of English Christianity, and so an anxiety of identity is created, not because the beliefs are<br />

so different, but because they are so similar. Roman Catholicism, English Protestantism,<br />

and the Puritans all agree on the basic tenets of their faith, and so there is a Christian<br />

‘orthodoxy’ that complicates all attempts to define rigidly the differences between these<br />

ecclesiastical bodies.<br />

In considering the devotional poetry of the seventeenth century, it becomes clear<br />

that the poets of the time are not spokespeople for particular denominations nor are they<br />

rigid ideologues; instead, they are human beings who are trying to express a form of belief

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