Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
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Herbert Discussing the Word 169<br />
exist completely in the same space. Herbert no longer needs to contemplate how to get his<br />
words to God, because he is standing there with him. Speaking of the similarities in theme<br />
between ‘Prayer (I)’ and ‘Love (III)’, P. G. Stanwood states that ‘There are two themes,<br />
one which reaches forth, the other which stands ready to receive and can be completed<br />
only in receiving; for prayer, like love, is offered to be answered, and answered in order to<br />
make love possible’. 72<br />
‘Love (III)’ is not a poem simply about the Lord’s Supper, but about the final feast<br />
that comes after the judgement, and this finality is essential when approaching the verse.<br />
Although most of the recent critical readings of the poem take it out of its relationship to<br />
the preceding poems, it is much more dramatic, and the exchange between Herbert and<br />
Christ makes much more sense, if seen in a post-Judgement situation. Michael<br />
Schoenfeldt has rightly brought to the forefront the erotic and social implications of the<br />
poem, but in doing so, he has overstated their importance in the poem. 73<br />
Regarding the<br />
erotic readings of the poem, R. V. Young is correct when he states that ‘it is misleading to<br />
suggest that “Love (III)” is permeated by scarcely concealed erotic preoccupations under a<br />
surface of conventional piety. Nothing is more conventional than for Christian devotion to<br />
be expressed in unmistakably erotic figures that point beyond themselves to what, from a<br />
Christian perspective, is the most ecstatic fulfilment of the most intense desire’, 74 or as<br />
Whalen says, ‘the result is a true consummation, a marriage of human and divine in a<br />
poem that boldly invests spiritual experience with erotic intensity’. 75 While Michael<br />
Schoenfeldt provides some very interesting insights into the poem when he reads it in<br />
relation to the concept of rules of courtesy, he misses much when he does not allow for the<br />
72 P. G. Stanwood, ‘The Liveliness of Flesh and Blood’, Seventeenth Century News 31 (1973), 53.<br />
73 Schoenfeldt’s reading can be found in Prayer and Power: ‘Love (III)’ in relation to courtesy, pp. 199-229,<br />
and the erotic, pp. 255-270. Warren M. Liew also addresses the erotic reading of the poem in his article<br />
‘Reading the Erotic in George Herbert’s Sacramental Poetics’, George Herbert Journal 31.1&2 (2007-8),<br />
33-62.<br />
74 R. V. Young, Doctrine and Devotion (Cambridge, 2000), p. 136.<br />
75 Poetry of Immanence, p. 159.