Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
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Donne’s Incarnating Words 82<br />
the Day of Judgment. And because God works through the physical to unite himself to his<br />
beloved followers, Donne can approach God through the physical act of writing poems.<br />
While ‘La Corona’ provides a cycle with an argument that can be followed from<br />
beginning to end, and which then circles back on itself, the ‘Holy Sonnets’, despite Helen<br />
Gardner’s proposal for a thematic sequencing of the poems, 67 contain no thematic<br />
sequencing that has gained general consensus. This can be seen in the major editions of<br />
the poems that have been issued since Helen Gardner proposed her thematic sequences for<br />
the verse. Both A. J. Smith and C. A. Patrides use the traditional sequence for the<br />
sonnets; 68 Robin Robbins breaks the poems up into two sequences of twelve sonnets, with<br />
some sonnets found in both groupings, while others have been re-titled and moved out of<br />
the ‘Holy Sonnets’, 69 and, finally, the Donne Variorum edition prints three different<br />
sequences. 70<br />
Despite the fact that there is great disagreement about how the sonnets<br />
should be linked with each other, the reader does find that there are common themes that<br />
Donne often returns to, such as his inability to perfectly follow Christ, his hope for a<br />
physical resurrection, and his fear that he may not be amongst those destined for heaven.<br />
His is an uneasy Christianity which is filled with doubt, though not necessarily mistrust.<br />
While the order of the sonnets is an issue for continued debate and inquiry, what can be<br />
gained from looking at the pieces as a whole, no matter what order they happen to be<br />
arranged in, is that the relationship Donne has with God is very problematic.<br />
The relationship between Donne and God that is presented in the ‘Holy Sonnets’ is<br />
one in which Donne and creation are truly fallen. Donne’s representation of his<br />
problematic relationship with the world and creation can be seen in ‘Holy Sonnet XII:<br />
67 Helen Gardner (ed.), Divine Poems (Oxford, 1952).<br />
68 A. J. Smith (ed.), John Donne: The Complete English Poems (London, 1996); C. A. Patrides (ed.), John<br />
Donne: The Complete English Poems (London, 1994).<br />
69 The Complete Poems of John Donne<br />
70 Gary Stringer et al (ed.), The Variorum Edition of the Poetry of John Donne, vol. 7, pt. 1, (Indianapolis,<br />
2005).