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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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Donne’s Incarnating Words 72<br />

irretrievably alone. It is as Donne tries to find eternal security in God that the reader sees<br />

him using various techniques to negotiate with God; the reader observes him use an<br />

incarnational understanding of a Christian’s relationship with God to debate with God, and<br />

at times even tells God what to do. Even the famous invitation to rape that occurs in ‘Holy<br />

Sonnet XIV: Batter my heart’, while seeming like an act of submission is only Donne<br />

being submissive to God if God submits to Donne’s calls for his salvation. Helen C.<br />

White puts it nicely when she states that, when it comes to Donne’s religious verse, ‘It is<br />

of himself alone that he is thinking as he argues with himself, strives to reassure himself,<br />

cries to his God for mercy, in happier moments gives thanks to his Saviour for his<br />

patience’. 60<br />

There is often a power struggle between Donne and God, and the struggle is<br />

in terms of Donne’s need for communion between self and God and all other life. This is<br />

not to say that the Divine Poems does not contain pieces that reflect a Christian who<br />

accepts God’s authority in his life; rather, the poems display a complicated and complex<br />

relationship between a believer and God, and this is one of the strengths of the collection<br />

as devotional verse, because it does show the conflicts and contradictions that would be<br />

involved in a relationship between a human and the divine.<br />

Donne is using the verses in the Divine Poems as constructions that will provide<br />

him with documents that he can present to God as a means to guarantee his salvation; as<br />

Charlotte Clutterbuck argues, ‘Much of the tension in Donne’s poetry arises from his<br />

depiction of the individual’s desire to claim for himself the promises of salvation<br />

history’. 61<br />

It is in these attempts to claim ‘the promises of salvation history’ that Donne<br />

uses the Incarnation and God made flesh as a way in which to argue for the unity of the<br />

human (body and soul) with the divine, because it is in the Incarnation that this has already<br />

been accomplished. The use of the Incarnation of Jesus and its physical and spiritual<br />

60 Helen C. White, The Metaphysical Poets (New York, 1956), p. 124.<br />

61 Encounters With God, p. 115.

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