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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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‘Looke Downe to Heaven’ 237<br />

The wounds here become openings both to flood and to consume: the aim of union<br />

with the suffering Christ through the opening of his wounds is metaphorically<br />

achieved through encompassing tears and incorporating kisses. 54<br />

And this Lord that is crucified is a Lord that his followers must still show deference to<br />

through the kissing of his feet.<br />

O thou that on this foot hast laid<br />

Many a kisse, and many a Teare,<br />

Now thou shal’t have all repaid,<br />

Whatsoe’re thy charges were.<br />

This foot hath got a Mouth and lippes,<br />

To pay the sweet summe of thy kisses:<br />

To pay thy Teares, an Eye that weeps<br />

In stead of Teares such Gems as this is. (9-16)<br />

This Lord that is dead and crucified on a cross, covered with bleeding wounds that have<br />

transformed into eyes and mouths must be approached as a great Lord or King. Although,<br />

as his subjects kiss his feet, his feet have a bloody mouth that can kiss back, and as they<br />

weep over his feet, his mouth can drink the tears. Also, at the end of the two stanzas the<br />

reader is presented with the imagery of gems again, this then is elaborated on in the final<br />

stanza of the poem as the tears of the followers become exchanged for the tears of the<br />

‘blood-shot eye[s]’.<br />

54 Vera J. Camden, ‘Richard Crashaw’s Poetry’, American Imago 40.3 (1983), p. 265.

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