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Postscript 245 Protestantism to Roman Catholicism, but more than this both poets emphasise the body in their poetry. For Donne the emphasis is on his and his lovers’ bodies, while Crashaw emphasises the body of Jesus. Both Aemilia Lanyer and Robert Herrick place great importance on the social applications available through the belief that God lived on this earth as a human, and so Lanyer can use this to redeem women from subjection and Herrick can redeem the festival as a celebration of physical existence. But it is in the devotional poetry of George Herbert that one finds all of these elements of the Incarnation celebrated. Herbert writes of the flesh of humanity and the flesh of God, recognises that God existing as a human redeems all people and gives them equal access to the Divine, and he realises that this gives humanity the right to celebrate. He knows that the end of the Incarnation for God and humanity is a heavenly feast in which all are welcome and all will be fed with God. The Incarnation is a rigidly held doctrine of Christianity that allows for diverse personal application while still maintaining religious orthodoxy. It is a destabilising force that does not allow for the preference of the soul over the body or the material over the immaterial or one person over another; furthermore, it does not solely belong to Roman Catholicism, the Church of England, or the Puritans; rather, it is the property of all. The problem of the Incarnation for seventeenth-century Britain was that as it tried to define its ecclesiastical identity it was left with a central tenet of faith that favoured no denomination and could not be used to order society conclusively, and so it was only the accidental aspects of Christianity that Britain could use to create its distinct church.
Bibliography 246 BIBLIOGRAPHY Abraham, Lyndy. ‘“The Lovers and the Tomb”: Alchemical Emblems in Shakespeare, Donne, and Marvell’, Emblematica: An Interdisciplinary Journal for Emblem Studies 5.2 (1991), 301-20. Adams, Robert Martin. ‘Taste and Bad Taste in Metaphysical Poetry: Richard Crashaw and Dylan Thomas’. The Hudson Review 8.1 (1955), 61-77. Andrewes, Lancelot. Peter McCullough (ed.). Lancelot Andrewes Selected Sermons and Lectures. Oxford: Oxford University Press, 2005. Asals, Heather A. R. Equivocal Predication: George Herbert’s Way to God. London: University of Toronto Press, 1981. The Authorized Version of the English Bible, 1611, 5 vols., William Aldis Wright (ed.). Cambridge: Cambridge University Press, 1909. Baumlin, James S. John Donne and the Rhetorics of Renaissance Discourse. London: University of Missouri Press, 1991. Beauchamp, Lisa. ‘Herbert’s The Temple and the Heritage of Erotic Exegesis’, George Herbert Journal, 24.1&2 (2000/01), 1-18.
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Page 251: Postscript 244 POSTSCRIPT The parad
Page 255 and 256: Bibliography 248 Bush, Douglas. Eng
Page 257 and 258: Bibliography 250 Creeds of the Chur
Page 259 and 260: Bibliography 252 ----. George R. Po
Page 261 and 262: Bibliography 254 Fish, Stanley. The
Page 263 and 264: Bibliography 256 ----. ‘Fear of
Page 265 and 266: Bibliography 258 ----. ‘Altering
Page 267 and 268: Bibliography 260 Kessner, Carole.
Page 269 and 270: Bibliography 262 Liew, Warren M.
Page 271 and 272: Bibliography 264 McGrath, Alister E
Page 273 and 274: Bibliography 266 Meath, Gerard. ‘
Page 275 and 276: Bibliography 268 Netzley, Ryan. ‘
Page 277 and 278: Bibliography 270 Richards, Bernard.
Page 279 and 280: Bibliography 272 Schoenfeldt, Micha
Page 281 and 282: Bibliography 274 Siegfried, B. R.
Page 283 and 284: Bibliography 276 Tuve, Rosemond. El
Page 285 and 286: Bibliography 278 ----. ‘“All Th
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