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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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Donne’s Incarnating Words 60<br />

describes himself as an anti-incarnate being, and the imagery turns from an incarnation of<br />

life seeking life to an anti-incarnation of life creating death through the indwelling of the<br />

spirit. In ‘Twickenham Garden’ the desire for union, despite physical separation, is shown<br />

to be completely untenable. Here the poet acknowledges that he cannot create physical<br />

and spiritual unity where it does not already exist. Rather than being an embodiment of<br />

the divine, whether through the acknowledgement of a divine lover taking human form or<br />

a writer creating a sacred and sacramental script, the poet is mortal, and as he has written,<br />

‘since my soul, whose child Love is, | Takes limbs of flesh, and else could nothing doe’, so<br />

he must live and act within the confines of his physical existence.<br />

‘Twickenham Garden’ begins with the poet in a state of deep lament entering a<br />

garden. He is<br />

Blasted with sighs, and surrounded with tears,<br />

Hither I come to seek the Spring,<br />

And at mine eyes, and at mine ears,<br />

Receive such balms as else cure everything. (1-4)<br />

However, rather than ‘balms’ he finds that he is a curse upon his surroundings, or as the<br />

poet says:<br />

But oh, self-traitor, I do bring<br />

The spider love, which transubstantiates all,<br />

And can convert manna to gall;<br />

And that this place may thoroughly be thought<br />

True Paradise, I have the serpent brought. (5-9)

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