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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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Herbert Discussing the Word 128<br />

infinite and divine. It is his Christological and incarnational emphases that allow him to<br />

create a means by which he can speak to and with God, and in this we find one of the<br />

richest and most nuanced poetic representations of a believer’s relationship with God.<br />

The topic of George Herbert’s The Temple and its relationship with the Incarnation<br />

has been studied several times before. The first significant work was by Richard Hughes<br />

in his article ‘George Herbert and the Incarnation’. While this article makes the important<br />

claim that Herbert’s ‘sense of the Incarnation pervades nearly every poem he wrote, and<br />

each poem is a further celebration of the Incarnation’, 5 it ultimately tries to align Herbert’s<br />

understanding of the Incarnation with Gnosticism. This rather unfortunate assertion is<br />

made despite the fact that Gnosticism is anti-Incarnation, as can be evidenced by the fact<br />

that ‘A central Gnostic notion was that matter was evil and sinful’; 6 therefore, Herbert can<br />

be an Incarnationalist or a Gnostic, but not both. However, Hughes’s essay did<br />

importantly call for a closer look at the importance of the Incarnation in The Temple. This<br />

call was taken up in Jeannie Sargent Judge’s Two Natures Met: George Herbert and the<br />

Incarnation. 7 Judge’s work primarily looks at the doctrine of the Incarnation and how the<br />

various theological aspects of the doctrine can be found to play out in the poems of The<br />

Temple. Most recently, Anne-Marie Miller-Blaise has published the book Le Verbe Fait<br />

Image which builds upon her article, ‘Herbert’s Theology of Beauty’, 8 and looks at the<br />

Incarnational properties of the imagery used by the metaphysical poets, with Herbert and<br />

Richard Crashaw as primary studies, in a manner akin to the creation of verbal icons.<br />

These critical works are correct in their assertions of the importance of the Incarnation in<br />

The Temple; however, as critics begin to explore the Incarnation in relation to The Temple<br />

it is clear that there are many more avenues for discussion, and so, while keeping the work<br />

5 Richard E. Hughes, ‘George Herbert and the Incarnation’, Cithara 4 (1964), 28.<br />

6 Alister E. McGrath, Christian Theology, 4 th edn., (Oxford, 2007), p. 295.<br />

7 Jeannie Sargent Judge, Two Natures Met (Oxford, 2004).<br />

8 Anne-Marie Miller-Blaise, ‘“Sweetnesse readie penn’d”: Herbert’s Theology of Beauty’, George Herbert<br />

Journal 27.1&2 (2003/4), 1-21; Le Verbe Fait Image (Paris, 2010).

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