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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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Donne’s Incarnating Words 45<br />

So thy love may be my love’s sphere,<br />

Just such disparity<br />

As is ’twixt air and angels’ purity<br />

’Twixt women’s love and men’s will ever be.<br />

Much of the trouble in these lines has arisen from the fact that the images and conceits<br />

used regarding air and angels are obscure and up for debate. More recently, attempts to<br />

figure out the exact relationship between the poet, the lover, the air, and the angel have<br />

taken place in an article written by Peter De Sa Wiggins, which was then responded to by<br />

R. V. Young. 21 Although they differ as to which characters take on which characteristics,<br />

they are both equally assured of the incarnational meaning of the imagery found in the<br />

poem’s discussion. Regardless of which character is the air and which the angel, what is<br />

generally agreed upon is the idea that angels and air are both pure entities, though of<br />

differing degrees of purity. Furthermore, as has been pointed out by A. J. Smith, there was<br />

a Renaissance belief that angels manifested their presence physically by way of taking on<br />

air and using this substance to give them form. 22<br />

Therefore, this image returns to the<br />

initial discussion in the poem, and the reader finds that the angel must once again take on<br />

physical form in order to act; however, where the initial image was of Love needing to<br />

take a physical body in order to interact with the poet, here an angel incarnates itself<br />

through air, so the poet (or lover) is becoming incarnate through the substance of the other.<br />

In this, the incarnation is the indwelling of one lover in another, and the relationship is<br />

moved from two separate and distinct beings into a union in which the two have become<br />

one. Yet, there is still the issue of the ‘disparity’ ‘’Twixt women’s love and men’s’, which<br />

means that this is a frustrated union. While Donne is able to overcome the divide between<br />

21 Peter De Sa Wiggins, ‘“Aire and Angels”: Incarnations of Love’, English Literary Renaissance 12.1<br />

(1982), 87-101; R. V. Young, ‘Angels in “Aire and Angels”’.<br />

22 A. J. Smith (ed.), John Donne: The Complete English Poems (London, 1996), p.354, note for lines 23-4.

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