27.12.2013 Views

Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Herbert Discussing the Word 155<br />

body of flesh (not just a spiritual reawakening), that Herbert presents his readers with is<br />

very reminiscent of the one discussed in the Donne chapter. With both Donne and<br />

Herbert, there is the guarantee of a bodily resurrection, just as Jesus experienced in the<br />

Gospels, 48 but where Donne’s belief in the bodily resurrection comes from a fear of death,<br />

Herbert’s belief comes from a faith that first originates with God, so it is not, ultimately,<br />

dependent upon Herbert. The idea that all aspects of communication involve a revolving<br />

up and down motion, one best encapsulated in the Incarnation, is found in the very next<br />

poem, ‘Prayer (I)’.<br />

‘Prayer (I)’ is an oft discussed poem. This sonnet is an incomplete sentence that<br />

seems to be trying to define what exactly prayer is to believers, the Church. Although the<br />

poem at times feels like a failed attempt to exhaustively describe what prayer is, and<br />

though it ends with what may seem to be an anti-climax with the two words ‘something<br />

understood’, there is really no other definition of prayer that needs to be given, because all<br />

of this (prayer, faith, repentance, incarnation) exists in what the Church has traditionally<br />

described as mysteries. Since all these mysteries contain the same continuous up and<br />

down movement (a movement that Mario A. Di Cesare also finds in the incarnationally<br />

focussed Gospel of John), 49 concluding that prayer is simply ‘something understood’<br />

between God and the Church is oddly comforting and appropriate.<br />

‘Prayer (I)’ exists in the nebulous space between earth and heaven, but there is also<br />

a very strong Christological emphasis to be found in the poem. Although it seems obvious<br />

that prayer must have an upward thrust, we see that prayer also involves the movement<br />

down to humanity and, in many instances in the poem, involves the work of the<br />

Incarnation. The work of God coming to humanity so that it can return to him is clearly<br />

seen in the second line of the poem when Herbert tells the reader that prayer may be<br />

48 Mark 16.14.<br />

49 Mario A. Di Cesare, ‘Herbert’s “Prayer (I)” and the Gospel of John’, in Claude J. Summers and Ted-Larry<br />

Pebworth (eds.), “Too Rich to Clothe the Sunne” (Pittsburgh, 1980), p. 103.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!