Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...
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Herbert Discussing the Word 155<br />
body of flesh (not just a spiritual reawakening), that Herbert presents his readers with is<br />
very reminiscent of the one discussed in the Donne chapter. With both Donne and<br />
Herbert, there is the guarantee of a bodily resurrection, just as Jesus experienced in the<br />
Gospels, 48 but where Donne’s belief in the bodily resurrection comes from a fear of death,<br />
Herbert’s belief comes from a faith that first originates with God, so it is not, ultimately,<br />
dependent upon Herbert. The idea that all aspects of communication involve a revolving<br />
up and down motion, one best encapsulated in the Incarnation, is found in the very next<br />
poem, ‘Prayer (I)’.<br />
‘Prayer (I)’ is an oft discussed poem. This sonnet is an incomplete sentence that<br />
seems to be trying to define what exactly prayer is to believers, the Church. Although the<br />
poem at times feels like a failed attempt to exhaustively describe what prayer is, and<br />
though it ends with what may seem to be an anti-climax with the two words ‘something<br />
understood’, there is really no other definition of prayer that needs to be given, because all<br />
of this (prayer, faith, repentance, incarnation) exists in what the Church has traditionally<br />
described as mysteries. Since all these mysteries contain the same continuous up and<br />
down movement (a movement that Mario A. Di Cesare also finds in the incarnationally<br />
focussed Gospel of John), 49 concluding that prayer is simply ‘something understood’<br />
between God and the Church is oddly comforting and appropriate.<br />
‘Prayer (I)’ exists in the nebulous space between earth and heaven, but there is also<br />
a very strong Christological emphasis to be found in the poem. Although it seems obvious<br />
that prayer must have an upward thrust, we see that prayer also involves the movement<br />
down to humanity and, in many instances in the poem, involves the work of the<br />
Incarnation. The work of God coming to humanity so that it can return to him is clearly<br />
seen in the second line of the poem when Herbert tells the reader that prayer may be<br />
48 Mark 16.14.<br />
49 Mario A. Di Cesare, ‘Herbert’s “Prayer (I)” and the Gospel of John’, in Claude J. Summers and Ted-Larry<br />
Pebworth (eds.), “Too Rich to Clothe the Sunne” (Pittsburgh, 1980), p. 103.