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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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Incarnation as Social Protest 109<br />

Half of that sacrifice which ransomed us? (30-2)<br />

As Donne sees Mary as a co-redemptrix with God for the salvation of humanity, so too<br />

does Lanyer, and then we also see that through the use of the Incarnation, theotokos, and<br />

the ‘communication of attributes’ the work of the Mother Mary is moved beyond the<br />

reproach of Protestant hesitations about focussing on Mary as Lanyer reaches back to the<br />

pre-Roman Catholic era of Christianity and shows that God used lowly women in an<br />

elevated manner in the time period in which Protestants claim was the true church, a point<br />

that Gary Kuchar misses when writing of the Virgin Mary’s presence in the poem. 32<br />

Although the use of these two theological concepts in devotional poetry is not exclusive to<br />

Lanyer’s work, the way in which she uses the concepts is hers alone. She uses orthodox<br />

theology and a literal interpretation of the Bible to substantiate all of her claims for social<br />

change, and since the established church of her day insisted on orthodoxy and a literal<br />

reading of the Scriptures, her arguments gain great weight through the fact that one is<br />

continuously led back to Scripture by her, so to disagree with Lanyer is to not only quibble<br />

with her arguments but to quibble with the Word of God. Therefore, from the very<br />

beginning of the poem, ‘Salve Deus’, the reader is presented with a steady movement from<br />

Lanyer’s contemporary environment back through history to the central point of<br />

Christianity, the life of Jesus.<br />

Lanyer’s devotional text moves the act of devotion out from her readers’ hearts and<br />

into the greater society as a whole; it is a movement from the intangible to the tangible,<br />

and in this it mirrors the movement of Jesus in the Incarnation. This movement of the<br />

Incarnate Jesus that Lanyer presents to her reader is the movement from heaven to death,<br />

32 Gary Kuchar, ‘Aemilia Lanyer and the Virgin’s Swoon: Theology and Iconography in Salve Deus Rex<br />

Judaeorum’, English Literary Renaissance 37.1 (2007), 47-73.

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