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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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Herbert Discussing the Word 151<br />

With the negative parallelism of ‘Affliction (I)’ (‘not love thee’, ‘love thee not’) describing<br />

a positive state of being, that of loving someone, being so closely followed by a positive<br />

parallelism in ‘Repentance’ (the act of confession in order to rectify a situation) describing<br />

a negative state of being, that of sinfulness, the reader is led, very quickly, through an<br />

emotional transition that allows the feeling of wanting to leave God, while also<br />

acknowledging the ceaseless movement towards God. While highly clever, and clearly<br />

well constructed, this is not Herbert trying to use rhetoric to manipulate readers into a false<br />

reconciliation with God; instead it is a very complex, yet simply stated, portrayal of the<br />

back and forth movement of the life in Christ for the believer. The cries of frustration and<br />

anger that we find in ‘Affliction (I)’ are not superficially forgotten in such a quick<br />

transition to ‘Repentance’, rather, the relationship between Herbert and God takes on a<br />

much more human understanding. It is human to change emotions quickly – to be<br />

accusatory one moment and repentant the next, and in the transition that exists between<br />

these two poems, we get a sense of Herbert relating to God as a person, in a kind of lovers’<br />

spat. The reason that this can happen, and the reason that Herbert need not explain away<br />

or apologise for approaching God as a person is because God indeed was a person.<br />

Through the Incarnation, humans are allowed to approach God in their humanity and know<br />

that he will respond in kind as well, because he already has. The emotions of ‘Affliction<br />

(I)’ are real, and they are never completely apologised away, even if he does seek<br />

forgiveness for a lack of trust. This type of unresolved return to God is also seen at the<br />

end of ‘The Collar’, when, after railing against God, and not wanting to submit to his rule,<br />

the poem ends with:<br />

But as I rav’d and grew more fierce and wilde<br />

At every word,

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