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Jesse Sharpe PhD thesis - Research@StAndrews:FullText ...

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‘Looke Downe to Heaven’ 221<br />

the idealised world. They do not describe themselves in the romantic, mystic, or exuberant<br />

manner which the poet has been using. No, the tears point to the ground.<br />

We goe not too seeke<br />

The darlings of Aurora’s bed,<br />

The Roses modest cheeke<br />

Nor the Violets humble head.<br />

No such thing; we goe to meet<br />

A worthier object, Our Lords feet. (133-8)<br />

Here, the tears reject the rest of the poem. They reject night and an idealised world. They<br />

reject the idea of being too good for ‘dust’ and the ‘sluttish Earth’. These images from the<br />

rest of the poem, while beautiful, and at times reminiscent of Herrick’s beloved flower<br />

poems, are a false conceit. Critics are right to find these images to be absurd, because the<br />

tears also see them as such. The point of the poem is not in the preceding lines of the<br />

poem; it is in the last two lines, ‘No such thing; we goe to meet | A worthier object, Our<br />

Lords feet’. And it must be pointed out that this refutation is given greater weight in the<br />

version of ‘The Weeper’ found in Carmen Deo Nostro. In the Carmen version of the<br />

poem, the final lines found in Steps expands from one stanza to two.<br />

We goe not to seek,<br />

The darlings of Auroras bed,<br />

The rose’s modest Cheek<br />

Nor the violet’s humble head.<br />

Though the Feild’s eyes too WEEPERS be

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