Frommer's Las Vegas 2004
Frommer's Las Vegas 2004
Frommer's Las Vegas 2004
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THE MAJOR PRODUCTION SHOWS 251<br />
in Forrest Gump) thrown in. A standout (though he doesn’t always do it) is “The<br />
Twelve Months of Christmas” sung by 12 different celebrities (Paul Lynde, Clint<br />
Eastwood, Woody Allen, and so on). Gans’s vocal flexibility is impressive, though<br />
his impersonations are hit or miss (his Springsteen needs work). That said, when<br />
we last saw him, he did a dead-on impression of comedian Jeff Foxworthy that had<br />
the crowd rolling, a hilarious bit involving George Burns imitating MC Hammer,<br />
and a somewhat freaky, but totally on-target impression of Macy Gray. Truth be<br />
told, he’s better than his current material (particularly if the mood strikes and he<br />
improvises), which is padded with obvious jokes and mawkish sentimentality. Still,<br />
he’s a consistent crowd-pleaser, and the lack of bombast can be a refreshing change<br />
of pace. In The Mirage, 3400 <strong>Las</strong> <strong>Vegas</strong> Blvd. S. & 800/963-9634 or 702/792-7777. Tickets $100<br />
(including tax). Tues–Thurs and Sat–Sun 8pm.<br />
An Evening at La Cage No, it wasn’t inspired by the French movie or the<br />
recent American remake, or even the Broadway musical. Actually, it’s more like<br />
the stage show derived from the movie Priscilla, Queen of the Desert. Female<br />
impersonators dress up as various entertainers (with varying degrees of success)<br />
to lip-synch to those celebrity entertainers’ greatest hits (with varying degrees of<br />
success). The celebs lampooned can include Cher, Bette Midler, Judy Garland,<br />
Whitney Houston, Dionne Warwick, and, intriguingly, Michael Jackson. A Joan<br />
Rivers impersonator, looking not unlike the original but sounding not at all like<br />
her (even with the aid of an odd constant echo), is the hostess, delivering scatological<br />
phrases and stale jokes. They do make the most of a tiny stage with some<br />
pretty stunning lighting, though the choreography is bland. Still, it’s a crowdpleaser—one<br />
couple was back for their fourth visit (all comped, but still). In The<br />
Riviera Hotel & Casino, 2901 <strong>Las</strong> <strong>Vegas</strong> Blvd. S. & 877/892-7469 or 702/794-9433. Tickets $38<br />
(excluding tax). Wed–Mon 7 and 9pm.<br />
Folies Bergère The longest-running production show in town has recently<br />
undergone a “sexier than ever” face-lift, but the result is far from that. It’s more<br />
like tamed-down burlesque, as done by a college drama department. Bare breasts<br />
pop up (sorry) at odd moments (late shows only): not during the cancan line,<br />
but rather during a fashion show and an en-pointe ballet sequence. The effect is<br />
neither erotic nor titillating, suggesting only that absent-minded dancers simply<br />
forgot to put their shirts on. The dance sequences (more acrobatics than true<br />
dance) range from the aforementioned ballet and cancan to jazz and hoedown,<br />
and are only occasionally well costumed. A coyly cute ’50s striptease number on<br />
a Hollywood Squares–type set is more successful, as is a clever and funny juggling<br />
act (don’t miss his finale with the vest and hat). In Tropicana Resort & Casino, 3801 <strong>Las</strong><br />
<strong>Vegas</strong> Blvd. S. & 800/829-9034 or 702/739-2411. Tickets $45–$55 (excluding tax). Fri–Wed 7:30<br />
and 10pm.<br />
Jubilee! A classic <strong>Vegas</strong> spectacular, crammed with singing, dancing, magic,<br />
acrobats, elaborate costumes and sets, and, of course, bare breasts. It’s a basic revue,<br />
with production numbers featuring homogenized versions of standards (Gershwin,<br />
Cole Porter, some Fred Astaire numbers) sometimes sung live, sometimes<br />
Tips Heading Backstage<br />
If you’d like to take a backstage tour of the Folies set, they are scheduled<br />
Sunday to Thursday at 12:30, 1:30, and 2:30pm. Tickets cost $2; call the<br />
above phone number for details.