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Frommer's Las Vegas 2004

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THE MAJOR PRODUCTION SHOWS 251<br />

in Forrest Gump) thrown in. A standout (though he doesn’t always do it) is “The<br />

Twelve Months of Christmas” sung by 12 different celebrities (Paul Lynde, Clint<br />

Eastwood, Woody Allen, and so on). Gans’s vocal flexibility is impressive, though<br />

his impersonations are hit or miss (his Springsteen needs work). That said, when<br />

we last saw him, he did a dead-on impression of comedian Jeff Foxworthy that had<br />

the crowd rolling, a hilarious bit involving George Burns imitating MC Hammer,<br />

and a somewhat freaky, but totally on-target impression of Macy Gray. Truth be<br />

told, he’s better than his current material (particularly if the mood strikes and he<br />

improvises), which is padded with obvious jokes and mawkish sentimentality. Still,<br />

he’s a consistent crowd-pleaser, and the lack of bombast can be a refreshing change<br />

of pace. In The Mirage, 3400 <strong>Las</strong> <strong>Vegas</strong> Blvd. S. & 800/963-9634 or 702/792-7777. Tickets $100<br />

(including tax). Tues–Thurs and Sat–Sun 8pm.<br />

An Evening at La Cage No, it wasn’t inspired by the French movie or the<br />

recent American remake, or even the Broadway musical. Actually, it’s more like<br />

the stage show derived from the movie Priscilla, Queen of the Desert. Female<br />

impersonators dress up as various entertainers (with varying degrees of success)<br />

to lip-synch to those celebrity entertainers’ greatest hits (with varying degrees of<br />

success). The celebs lampooned can include Cher, Bette Midler, Judy Garland,<br />

Whitney Houston, Dionne Warwick, and, intriguingly, Michael Jackson. A Joan<br />

Rivers impersonator, looking not unlike the original but sounding not at all like<br />

her (even with the aid of an odd constant echo), is the hostess, delivering scatological<br />

phrases and stale jokes. They do make the most of a tiny stage with some<br />

pretty stunning lighting, though the choreography is bland. Still, it’s a crowdpleaser—one<br />

couple was back for their fourth visit (all comped, but still). In The<br />

Riviera Hotel & Casino, 2901 <strong>Las</strong> <strong>Vegas</strong> Blvd. S. & 877/892-7469 or 702/794-9433. Tickets $38<br />

(excluding tax). Wed–Mon 7 and 9pm.<br />

Folies Bergère The longest-running production show in town has recently<br />

undergone a “sexier than ever” face-lift, but the result is far from that. It’s more<br />

like tamed-down burlesque, as done by a college drama department. Bare breasts<br />

pop up (sorry) at odd moments (late shows only): not during the cancan line,<br />

but rather during a fashion show and an en-pointe ballet sequence. The effect is<br />

neither erotic nor titillating, suggesting only that absent-minded dancers simply<br />

forgot to put their shirts on. The dance sequences (more acrobatics than true<br />

dance) range from the aforementioned ballet and cancan to jazz and hoedown,<br />

and are only occasionally well costumed. A coyly cute ’50s striptease number on<br />

a Hollywood Squares–type set is more successful, as is a clever and funny juggling<br />

act (don’t miss his finale with the vest and hat). In Tropicana Resort & Casino, 3801 <strong>Las</strong><br />

<strong>Vegas</strong> Blvd. S. & 800/829-9034 or 702/739-2411. Tickets $45–$55 (excluding tax). Fri–Wed 7:30<br />

and 10pm.<br />

Jubilee! A classic <strong>Vegas</strong> spectacular, crammed with singing, dancing, magic,<br />

acrobats, elaborate costumes and sets, and, of course, bare breasts. It’s a basic revue,<br />

with production numbers featuring homogenized versions of standards (Gershwin,<br />

Cole Porter, some Fred Astaire numbers) sometimes sung live, sometimes<br />

Tips Heading Backstage<br />

If you’d like to take a backstage tour of the Folies set, they are scheduled<br />

Sunday to Thursday at 12:30, 1:30, and 2:30pm. Tickets cost $2; call the<br />

above phone number for details.

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