Frommer's Las Vegas 2004
Frommer's Las Vegas 2004
Frommer's Las Vegas 2004
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CHAPTER 10 . LAS VEGAS AFTER DARK<br />
something. Only the gasps from the audience members who actually happened to<br />
be looking in the right place let us know we missed something really neat.<br />
Tellingly, the best part of the show is when all that stuff is switched off, and<br />
Siegfried & Roy take the stage to perform smaller magic and chat with the audience.<br />
The charm that helped get them so far shines through, and spontaneity is<br />
allowed to sneak in. The white tigers are certainly magnificent, but they don’t do<br />
much other than get cuddled (charmingly) by Roy and badly lip-synch to pretaped<br />
roars. The duo is clearly doing something right, judging from the heartfelt standing<br />
ovations they receive night after night. But more than one couple was heard to<br />
say it was not the best show they had seen, and also to express a feeling that it was<br />
overpriced. And those ticket prices (over $100 per person!) are indeed sky-high. Go<br />
if you can’t live without seeing a true, modern <strong>Vegas</strong> legend, but you can find<br />
better entertainment values in town. In The Mirage, 3400 <strong>Las</strong> <strong>Vegas</strong> Blvd. S. & 800/963-<br />
9634 or 702/792-7777. Tickets $111 (includes souvenir program, 2 drinks, tax, and gratuity). Sun–<br />
Tues 7:30pm; Fri–Sat 7:30 and 11pm.<br />
Splash They took out the mermaids and water tank that gave this show its<br />
name, froze the water, and added ice skaters and some increased production values.<br />
If the show is now the one in town that most closely resembles the guffawinducing<br />
extravaganza in Showgirls, it’s nonetheless a considerable improvement<br />
over its previous incarnations. That may be because we are partial to ice skaters<br />
in any form, even if they are performing to the music from Titanic while topless<br />
dancers preen on a small version of the deck of the boat. The weird lip-synching<br />
numbers, including a long tribute to Madonna that reenacts portions of Evita,<br />
even as clips from the real thing are shown on video screens, still remain, though<br />
improved and more ambitious choreography has been added. Expect up-close<br />
looks at bare breasts as the flashy and not-terribly-competent dancers parade<br />
through the crowd (sometimes in see-through filmy net cat suits that show less<br />
and are thus considerably more sexy—more topless shows should go this teasing<br />
route). Some “comedy gauchos” crack whips and insensitive jokes, and there’s a<br />
truly talented trio of juggling brothers. Pass the time wondering if it’s uncomfortable<br />
skating in a butt thong, and pondering the philosophical implications of<br />
a country’s wretched political problems providing fodder for first the Andrew<br />
Lloyd Webber mill and now a <strong>Vegas</strong> topless revue. Seating warnings: Seats on<br />
the sides are so bad that fully three-quarters of the stage might be obscured. In The<br />
Riviera Hotel & Casino, 2901 <strong>Las</strong> <strong>Vegas</strong> Blvd. S. & 877/892-7469 or 702/734-9301. Tickets $57<br />
(excluding tax). Sat–Thurs 8 and 10:30pm.<br />
Tournament of Kings Kids If you’ve seen the Jim Carrey movie The Cable<br />
Guy, you probably laughed at the scene in which the two protagonists went to a<br />
medieval dinner and tournament. Perhaps you thought it was satire, created just<br />
for the movie. You would be wrong. It’s actually part of a chain, and something<br />
very like it can be found right here in <strong>Vegas</strong>, though in a new and improved version.<br />
Those of us who shuddered at the former incarnation find this new one to<br />
be at worst highly tolerable, and at times downright entertaining.<br />
For a fixed price, you get a dinner that’s better than you might expect (Cornish<br />
game hen, very fine baked potato, and more), which you eat with your<br />
hands (in keeping with the theme), while Merlin (or someone like him) spends<br />
too much time trying to work the crowd up with a singalong. This gives way to<br />
a competition between the kings of various medieval countries, competing for<br />
titles in knightly contests (jousting, horse races, and such) that are every bit as<br />
unrehearsed and spontaneous as a professional wrestling match. Eventually,<br />
good triumphs over evil and all that.