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Frommer's Las Vegas 2004

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THE MAJOR PRODUCTION SHOWS 255<br />

Siegfried & Roy Overrated A <strong>Vegas</strong> institution for more than 2 decades, illusionists<br />

Siegfried and Roy started as an opening act, became headliners at the<br />

Frontier, and finally were given their own $30 million show and $25 million<br />

theater in The Mirage. They (and their extensive exotic animal menagerie) have<br />

amply repaid this enormous investment by selling out every show since. No<br />

wonder The Mirage has them booked “until the end of time.”<br />

But while the spectacle is undeniable (and the money is all right up there on the<br />

stage), the result is overproduced. From the get-go, there’s too much light, sound,<br />

smoke, and fire; too many dancing girls, fire-breathing dragons, robots, and other<br />

often completely superfluous effects, not to mention an original (and forgettable)<br />

Michael Jackson song. It almost overwhelms the point of the whole thing.<br />

Or maybe it’s become the point of the whole thing. The magic, which was the Austrian<br />

duo’s original act, after all, seems to have gotten lost. Sometimes literally.<br />

The tricks are at a minimum, allowing the flashpots, lasers, and whatnot to fill<br />

out the nearly 2-hour show. More often than not, when a trick was actually being<br />

performed, our attention was elsewhere, gawking at an effect, a showgirl, or<br />

Penn & Teller’s Top 10 Things One Should NEVER<br />

Do in a <strong>Vegas</strong> Magic Show<br />

Penn & Teller have been exercising their acerbic wit and magical talents<br />

in numerous forums together for more than 25 years, and their<br />

show at the Rio is one of <strong>Vegas</strong>’s best and most intelligent. We must<br />

confess that we couldn’t get the quieter half of the duo, Teller, to<br />

cough up a few words, but the more verbose Penn Jillette was happy<br />

to share.<br />

1. Costume yourself in gray business suits totally lacking in rhinestones,<br />

animal patterns, Mylar, capes, bell-bottoms, shoulder pads,<br />

and top hats.<br />

2. Wear your hair in any style that could NOT be described as “feathered,”<br />

or “spiked.”<br />

3. Use really good live jazz music instead of canned sound-alike<br />

cheesy rip-off fake pop “music.”<br />

4. Cruelly (but truthfully) make fun of your siblings in the magic<br />

brotherhood.<br />

5. Do the dangerous tricks on each other instead of anonymous show<br />

women with aftermarket breasts, and/or endangered species.<br />

6. Toss a cute little magic bunny into a cute little chipper shredder.<br />

7. Open your show by explaining and demonstrating how other<br />

magicians on The Strip do their most amazing tricks, then do that<br />

venerable classic of magic, “The Cups and Balls,” with transparent<br />

plastic cups.<br />

8. Treat the audience as if they had a brain in their collective head.<br />

9. Allow audience members to sign real bullets, load them into real<br />

guns, and fire those bullets into your face.<br />

10. Bleed<br />

(You will find all 10 of these “don’ts” in the Penn & Teller show at the<br />

Rio All-Suite Hotel and Casino.)

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