Frommer's Las Vegas 2004
Frommer's Las Vegas 2004
Frommer's Las Vegas 2004
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THE MAJOR PRODUCTION SHOWS 253<br />
Lance Burton: Master Magician Kids Value Magic acts are a dime a dozen in<br />
<strong>Vegas</strong> of late. Along with impersonator acts, they seem to have largely replaced<br />
the topless showgirls of yore. Most magic shows seem more than a little influenced<br />
by the immeasurable success of Siegfried & Roy. So when someone pops<br />
up who is original—not to mention charming and, yes, actually good at his job—<br />
it comes as a relief. Handsome and folksy (he hails from Lexington, Kentucky),<br />
Burton is talented and engaging, for the most part shunning the big-ticket special<br />
effects that seem to have swamped most other shows in town. Instead, he<br />
offers an extremely appealing production that starts small, with “close-up” magic.<br />
These rather lovely tricks, he tells us, are what won him a number of prestigious<br />
magic competitions. They are truly extraordinary. (We swear that he tossed a bird<br />
up in the air, and the darn thing turned into confetti in front of our eyes. Really.)<br />
Burton doesn’t have patter, per se, but his dry, laconic, low-key delivery is plenty<br />
amusing and contrasts nicely to other performers in town, who seem as if they<br />
have been spending way too much time at Starbucks. He does eventually move<br />
to bigger illusions, but his manner follows him—he knows the stuff is good, but<br />
he also knows the whole thing is a bit silly, so why not have fun with it? His longtime<br />
support act is comedian/juggler Michael Goudeau, who is not only perhaps<br />
the only genuinely funny and talented support act on the Strip, but he can also<br />
juggle a bean bag chair, a chainsaw, and a peanut M&M all at once. His presence<br />
is just further proof of how right Burton’s show is overall.<br />
All this and extremely comfortable movie-theater-style plush seats with cup<br />
holders. And for a most reasonable price. In the Monte Carlo Resort & Casino, 3770 <strong>Las</strong><br />
<strong>Vegas</strong> Blvd. S. & 877/386-8224 or 702/730-7160. Tickets $55–$60 (excluding tax). Tues and Sat<br />
7 and 10pm, Wed–Fri 7pm.<br />
Legends in Concert This is a crowd-pleaser, which is probably why it’s been<br />
running since May 1983. Arguably the best of the <strong>Vegas</strong> impersonator shows<br />
(though it’s hard to quantify such things), Legends features performers singing<br />
live rather than lip-synching. And the performers look remarkably like the originals;<br />
free use of video cutting between action on stage and the real performer<br />
generally shows what a good simulation the former is. Acts vary from night to<br />
night (in a showroom that could use a face-lift) on a nice, large stage with modern<br />
hydraulics but twinkle lighting that is stuck in a Flip Wilson Show time warp.<br />
The personal touches here include scantily clad (but well-choreographed) male<br />
and female dancers, and an utterly useless green laser. When we went, the performers<br />
included a carbon copy (at least in looks) of the early Little Richard, a<br />
crowd-pleasing Shania Twain, an energetic Prince, an appropriately flamboyant<br />
Liberace, a striking Bette Midler, and one helluva Elvis impersonator. In Imperial<br />
Palace, 3535 <strong>Las</strong> <strong>Vegas</strong> Blvd. S. & 888/777-7664. Tickets $40 adults (includes 1 drink, tax, and<br />
gratuity), $25 children 12 and under. Mon–Sat 7:30 and 10:30pm.<br />
Mac King Value One of the best entertainment values in <strong>Vegas</strong>, this is an afternoon<br />
comedy-magic show—and note order of precedence in that introduction.<br />
King does magic; thankfully, as far as we are concerned, emphasizing the only<br />
kind that’s really mind-blowing these days—those close-up tricks that defy your<br />
eyes and mind. But he surrounds his tricks with whimsy and wit, and sometimes<br />
gut-busting guffaws, which makes you wonder how someone else can still perform<br />
stunts with a straight face. (Check out how he takes a $100 bill and—wait,<br />
we don’t want to give it away, but suffice to say, it involves an old shoe and a Fig<br />
Newton and several other unexpected props.) Perfect for the kids, perfect for the<br />
budget, perfect timing if you need something in the afternoon before an evening