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Sex, Gender, Becoming - PULP

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90 Jeanne van Eeden<br />

The gendered setting of the mall was already created by department<br />

store decorators in the nineteenth century who consciously designed<br />

interior spaces and colour schemes to institutionalise gender<br />

distinctions and stereotypes. Consequently, ‘the color in the stores ...<br />

the indulgence and the impulse became ever more associated in the<br />

minds of both sexes with femininity’. 163 In American department<br />

stores after 1890, men had separate street and elevator entrances<br />

and departments that were decorated in dark and ‘rugged’ colours,<br />

creating discrete gender spaces for men and women. 164 This<br />

distinction has been reinforced in today’s malls, so that the shopping<br />

experience they offer is primarily geared towards the female shopper.<br />

This translates into the use of increased lighting to improve women’s<br />

perception of safety 165 as well as things like packaging design,<br />

advertising, merchandising, store design and fixturing. 166 Underhill<br />

establishes that women need to feel comfortable when they shop and<br />

have different spatial requirements. 167 In the South African context,<br />

this perception has influenced the representation of space at Century<br />

City’s Canal Walk mall in Cape Town which has, for example, special<br />

‘hospitality lounges’ because research suggests ‘women like to be<br />

made to feel at home while shopping’. 168 According to the managing<br />

agent for Canal Walk: 169<br />

Male minds may wander, but women like a quieter style of shopping.<br />

We’ve listened to shopping opinions of women in research focus groups<br />

and have realised that the key to catering to the needs of women is<br />

convenience ... Canal Walk [does not] have spiral ramps leading to its<br />

parking lot. Women drivers find these frustrating ... so the centre ...<br />

boast[s] gradually ascending ramps that go straight up, so we can reduce<br />

stress experienced by women when they search for parking.<br />

At the same time, South African malls have devised strategies by<br />

which to encourage men to spend more time in them. Because men<br />

have to be kept occupied or involved, 170 malls have focused on men’s<br />

needs by creating ‘playpens’ and spaces dedicated to activities,<br />

gadgets, and shops for men. Accordingly, The Gateway Theatre of<br />

Shopping in Umhlanga offers men ‘Boys’ Own-type adventure’ in an<br />

aqueous tank, climbing wall, and simulated wave pool, 171 again<br />

establishing gender distinctions in terms of space, shopping, and<br />

gender performativity. According to Canal Walk developers: 172<br />

163<br />

Leach (n 78 above) 331.<br />

164 Leach (as above).<br />

165 H Newman ‘Prologue’ in JR White & KD Gray (eds) Shopping centers and other<br />

retail property. Investment, development, financing, and management (1996) 13.<br />

166 Underhill (n 9 above) 98.<br />

167 Underhill 118-119.<br />

168<br />

Cameron (n 106 above) 73, my emphasis.<br />

169 As above.<br />

170 Underhill (n 9 above) 102-103.<br />

171<br />

Cameron (n 106 above) 72.<br />

172 As above.

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