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Sex, Gender, Becoming - PULP

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Shopping for gender 85<br />

dure. The alliance between shopping and abstract self-worth rests<br />

upon the implication that the ‘buying and possession of material<br />

goods is an outward, physical sign of inner goodness and the value of<br />

the person possessing the goods. Shopping thus becomes a virtuous<br />

ritual’. 127 The perception that shopping is a patriotic duty that<br />

bolsters national economies is encountered in most countries, and<br />

comes to the fore in two print advertisements for the Proudly South<br />

African campaign (2004). The copy reads respectively ‘Clothe yourself,<br />

clothe the nation’ and ‘Feed yourself, feed the nation’. In both<br />

examples, the figure who is addressed and who holds the future of the<br />

South African economy in her hands (and purse) is a discerning black<br />

female consumer.<br />

The use of the black woman as a marker of the new face of<br />

consumption in South Africa can be related to the myth that consumer<br />

choice and consumption are signifiers of personal freedom. This<br />

rhetoric has been invoked in many examples of South African<br />

advertising since 1994. Eve Bertelsen points out that when the African<br />

National Congress came to power in 1994, it moved away from its<br />

critique of capitalism and the attendant inscription of classed and<br />

gendered relations in society to endorse the notion of the ‘free<br />

market’ of late capitalism. 128 The project of producing a new national<br />

identity, a new black elite class, and new subjectivities was embraced<br />

with alacrity by the ‘institutions and agents of consumer culture’ that<br />

aimed their advertisements at the new black consumers. 129 Bertelsen<br />

shows convincingly how the discourse of political ‘struggle’ was<br />

appropriated by consumer culture, which then redefined democracy<br />

as ‘individual freedom and, especially, the freedom to consume’. 130<br />

A recent advertisement for Sammy Marks Square in Pretoria (2003)<br />

addresses the black female consumer in a similar mode (Figure 6).<br />

Shopping has also been reclaimed as a proto-feminist gesture that<br />

objected against the masculinist colonisation of the public sphere;<br />

this can be located in the historical alignment between feminism and<br />

female consumerism that accordingly sees the contemporary mall as<br />

the logical culmination of female empowerment. Friedberg thus<br />

detects a key moment in the nineteenth-century American feminist<br />

Elizabeth Stanton’s exhortation that women should go out and spend<br />

their husbands’ money. 131 Stanton’s rallying cry ‘GO OUT AND BUY!’<br />

met with female delight, and the burgeoning feminine individualism<br />

of the late nineteenth century was endorsed by the realisation in<br />

127 J Nachbar & K Lause Popular culture. An introductory text (1992) 196.<br />

128 E Bertelsen ‘Ads and amnesia: black advertising in the new South Africa’ in S<br />

Nuttall & C Coetzee (eds) Negotiating the past: The making of memory in South<br />

Africa (1999) 221.<br />

129 Bertelsen (n 128 above) 221-224.<br />

130<br />

Bertelsen 228.<br />

131 Friedberg (n 62 above) 449.

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