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Fashion Marketing: Contemporary Issues, Second edition - Pr School

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142 <strong>Fashion</strong> <strong>Marketing</strong><br />

Table 7.5 Luxury items the respondents might buy online<br />

Category %<br />

Food/wine 37<br />

Cosmetics 33<br />

Accessories 24<br />

Clothes 20<br />

Jewellery 19<br />

Decoration 17<br />

Cars 10<br />

Other items 11<br />

Source: Dall’Olmo and Lacroix, (2003).<br />

brands are aspirational. They are iconic designs. Design is the cornerstone of<br />

the experiential marketing of luxury. The product has to reflect the quality of<br />

the workmanship, the materials and be sensual to the touch. Communication<br />

of the brand means advertizing in premium journals and papers, sponsorship<br />

of events, viral marketing and placing the product in exquisite locations, so<br />

that the consumer can be immersed in the atmosphere of luxury. Substantial<br />

investment is made in marketing communications to maintain high levels of<br />

awareness, typically advertizing budgets are between 6 and 12 per cent of<br />

sales (Bruce and Kratz 2004; Jackson 2004). For instance, the LVMH group<br />

estimates it now ranks in the top 3 in terms of media spending and editorials<br />

versus in the top 10 previously. Celebrity endorsement associates the brand<br />

with particular lifestyles and can help to reinforce the appeal to certain consumers<br />

(such as Emma Thurman for LVMH; Madonna for Jean-Paul Gaultier<br />

and Nicole Kidman for Chanel).<br />

World-class retailers renowned for their luxury brands, such as Harvey<br />

Nichols and Selfridges are revising their strategies, so as to meet with the<br />

needs of suppliers and consumers to provide a shopping experience that is<br />

personal and special. Relationship marketing through offering a personal<br />

service maximizes the luxury experience (Financial Times, 26.3.05). Indeed,<br />

‘experiential marketing’ (Hetzel, 2002) is recognized as being significant in<br />

reinforcing the premium quality of luxury brands. Exclusive contracts for the<br />

privilege of retailing luxury brands are one attempt to ensure that rarity and<br />

special-ness is maintained. Also, such retailers operate as ‘brand police’ to<br />

allow certain brands into their stores and to keep others out. If new vendors<br />

fail to meet with their demands for service, display and product quality, then<br />

their contract will be terminated.<br />

With the growth of the Internet as another channel, Okonkwo (2005) asks:<br />

‘is it realistic to imagine that the physical luxury retail store environment can<br />

be replicated on the Internet?’ According to this business analyst, it is feasible<br />

to transfer the prestigious atmosphere expected of luxury fashion brickand-mortar<br />

stores to the e-boutique with elements like ‘visuals, sound, smell,<br />

usability and personalization’. Her analysis is consistent with the Dall’Olmo

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