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Fashion Marketing: Contemporary Issues, Second edition - Pr School

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44 <strong>Fashion</strong> <strong>Marketing</strong><br />

construct that describes and explains methods of reducing production cycles<br />

to deliver product faster. It is built around having efficient systems of production.<br />

Similarly, ‘fast fashion’ is a construct that describes and explains retailer<br />

desires to satisfy consumer demand more efficiently and effectively. Efficient in<br />

the sense that time is reduced. Effective meaning that fashionable items are in<br />

store to meet demand. Supply chain integration and relational management is<br />

important to the success of both approaches.<br />

However, it is the differences that reveal more than similarities about what<br />

exactly ‘fast fashion’ is. It is a marketing tool to drive retail footfall. It allows<br />

retailers to make up-to-date product offers to their customer base frequently.<br />

Thus, customers are driven to stores more frequently to view and buy ‘fast<br />

fashion’, which also tends to be young fashion. The target market for ‘fast fashion’<br />

are mainly in the younger age groups, typically described as 16–24 year<br />

olds and more importantly gender biased towards female customers simply<br />

because they tend to purchase clothing more frequently and spend more on<br />

clothes. Volumes for each line produced tended to be smaller than traditional<br />

supply quantities for low fashion content clothing and perhaps more importantly<br />

most retailers when talking about fast fashion commented that unlike<br />

many traditional lines which were continuously replenished within season,<br />

‘fast fashion’ lines tend not to be replenished. ‘When it’s gone, it’s gone and<br />

that drives customers in to our stores more frequently because they don’t<br />

want to miss the latest trend.’<br />

Smaller volumes also minimize risks of obsolescence for retailers, that is<br />

fashion risk. Finally, one of the most important issues to emerge in discussion<br />

was that in order to produce fast fashion it was important to use stock fabric<br />

or greige fabric rather than specialist fabric. Although this appeared revelatory<br />

in the analysis one should not really be surprised and from a business<br />

point of view to develop clothes using specialist fabric requires greater time<br />

to source, specify and produce which is not what fast fashion is about. Fast<br />

fashion is disposable. It is for immediate consumption. It is to capture the look<br />

of the moment. It is not to linger in the wardrobe. It is definitely not durable.<br />

It is not built to last. It is not commodity clothing. It is not the ‘beige (or even<br />

fawn) cardigan’. It is for immediate wear. It is at an affordable price. It does<br />

have in built obsolescence and therefore happily for retailers customers will<br />

need to repurchase within a short-time frame.<br />

Figure 2.3 illustrates Zara’s fast fashion business model. It demonstrates<br />

six key interaction stages from creation through to the customer. Importantly<br />

store information feedback into inventory management and new product<br />

development.<br />

This business model carries advantages for Zara in managing inventory and<br />

associated costs whilst being able to ensure that products are in demand when<br />

they are in store. This advantage becomes clearer when Zara is benchmarked<br />

against the industry averages in Figure 2.4.<br />

Figure 2.5 illustrates the production–market problem. <strong>Pr</strong>oduction is either<br />

complex or simple in this abstraction of reality and markets are either stable<br />

or dynamic. Stable markets are relatively easier to manage since demand

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