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Fashion Marketing: Contemporary Issues, Second edition - Pr School

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Consumers and their negative selves, and the implications for fashion marketing 221<br />

brands are used as instruments to improve individuals’ self-image, and the<br />

socially attributed meanings of the product are then transferred to individuals<br />

through consumption.<br />

An important assumption of the image congruency hypothesis is that the<br />

self-concept is valuable to consumers and that individuals therefore will seek<br />

to protect and enhance it (Sirgy, 1982, p. 289). This means that if, for example,<br />

you are purchasing an item of clothing, you are likely to select a brand<br />

name or retailer that conjures up a positive image for you. Often, this positive<br />

imagery will be formed on the basis of the typical user stereotypes that<br />

you associate with that brand. So, for example, you may have a certain set<br />

of brands – termed the evoked set – that you would consider acceptable. You<br />

would hope (consciously or subconsciously) that by purchasing and wearing<br />

an item of clothing identifiable to others as being one of these brands, that the<br />

qualities associated with the brand will then be identified with you and effectively<br />

communicated to the potential audience.<br />

In essence, the relationship between products and brands (including fashion<br />

items) and consumers’ identities functions in two directions. On the one<br />

hand, the products purchased help consumers to define who they are. On the<br />

other, individuals will seek to maintain their self-concepts by purchasing items<br />

perceived to be congruent with their identity. Therefore, we can see that both<br />

the actual self and the ideal self are important players in this relationship.<br />

Self-congruency theory supports the existence of a system of appearance<br />

management, whereby individuals use clothing as a flexible means to negotiate<br />

their identity (Kaiser et al., 1991). We can see from Figure 11.1 that the<br />

‘chosen’ identity could vary depending on the potential audience (and the<br />

situation). Therefore, different sets of brands or fashion retailers would be<br />

deemed appropriate in different situations.<br />

Negative symbolic consumption<br />

So far, we have considered how individuals use their identities and the positive<br />

images of products and brands to influence their consumption decisions.<br />

However, it is also important for fashion marketers and manufacturers and<br />

those studying consumer trends to form an understanding of those items,<br />

brands and trends which are not attractive to consumers, and more importantly<br />

to appreciate why items acquire the images that they do. It is suggested<br />

that what we choose not to consume is an important aspect of both individual<br />

and group identity (or identities). Consumers’ rejection of fashion items and<br />

brands often says as much about them personally and socially as that which<br />

they opt to consume. A framework has been developed that incorporates the<br />

negative aspects of symbolic consumption, along with congruency theory, in<br />

an attempt to understand consumers’ rejection of fashion items for symbolic<br />

reasons (see also Banister and Hogg 2004; Hogg and Banister 2001).<br />

Possible selves were presented in the self-concept section as a set of<br />

imagined roles or states of being that can be either positive or negative<br />

(Markus and Nurius, 1986). Negative selves work in a conflicting manner

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