Fashion Marketing: Contemporary Issues, Second edition - Pr School
Fashion Marketing: Contemporary Issues, Second edition - Pr School
Fashion Marketing: Contemporary Issues, Second edition - Pr School
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The process of trend development leading to a fashion season 171<br />
a season can carry many different fashion colours and stories to satisfy the<br />
diversity of tastes among various consumer segments.<br />
Although trends in fashion are reflected through a variety of design elements,<br />
it is believed that customers respond to colour first. There are a number<br />
of reasons for this, including strong social and cultural semiotic associations<br />
that are learned and, more simply, because a colour is obviously noticeable<br />
as it covers the surface of the product. Where fashion products are black,<br />
white or neutral in appearance it is common for colour to be used in the packaging<br />
or visual merchandising of such products to provide seasonal context.<br />
<strong>Fashion</strong>s may also be strongly reflected through fabric qualities (e.g. performance<br />
related, faded, sheer), fabric patterns, product silhouette, product styling,<br />
trims and packaging. Colour is the attribute that is agreed upon earliest in<br />
the trend development process, some 18–20 months prior to a season. During<br />
these early stages emphasis is on the context and qualities of colour such as<br />
‘a cool colour palette’ or ‘chalky textures’ indicating a range of tones and shades<br />
within a particular colour. Typically colours become more specific the closer<br />
they are to a particular season. The exact timing varies among trend specialists<br />
but two examples include WGSN and <strong>Pr</strong>omostyl. WGSN provided their<br />
clients with details of colour relating to Spring 2007 in July 2005. <strong>Pr</strong>omostyl<br />
provided details of colour for the same season in June 2005 but proceeded to<br />
reveal their complete view of Summer 2007 (fabric, shape, styling, print and<br />
detail) at their client presentation in December 2005.<br />
<strong>Fashion</strong> trends may vary in longevity, with a particular ‘look’ crossing many<br />
seasons. This could be a colour, a fabric attribute (e.g. sheer) and a garment<br />
shape (e.g. neck line or skirt length). It could also be a focus on a part of the<br />
body such as the midriff, which may generate a variety of designs utilizing<br />
different garment shapes (e.g. low slung hipster pants or tops that are short<br />
in the body). Stone (1990) writes of ‘rules’ where a fashion emphasis concentrates<br />
on a part of the body, for example the legs or midriff, until the interest<br />
or variety of looks is fully exploited. Through varying emphases and interpretations,<br />
this may take a number of seasons. Own-brand fashion buyers will<br />
also want to exploit a particularly successful shape or style, which can also<br />
extend the longevity of a fashion trend.<br />
<strong>Fashion</strong> seasons<br />
When examining fashion trends, the issue of fashion seasons emerges as a<br />
context in which the trends can be understood. The term ‘season’ refers to a<br />
period of time during which fashion products are sold. The specific period of<br />
the selling time associated with a season will vary according to the nature of<br />
the fashion business. For example, a fabric manufacturer will sell fabric for<br />
production of Spring/Summer (SS) merchandise many months before the SS<br />
retail selling season begins.<br />
Historically, there have been two clearly defined and traditional fashion<br />
seasons, which are Autumn/Winter and SS. Easy (1995) explains that retailers