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Fashion Marketing: Contemporary Issues, Second edition - Pr School

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The process of trend development leading to a fashion season 185<br />

Table 9.4 UK monthly magazines’ production deadlines and coverage of fashion<br />

weeks for Spring/Summer season<br />

Month RTW <strong>Fashion</strong> Monthly Magazine Retailer <strong>Pr</strong>omotion<br />

Shows<br />

Deadlines<br />

September New York, London December <strong>edition</strong><br />

October Milan, Paris January* <strong>edition</strong><br />

November February* <strong>edition</strong> <strong>Pr</strong>ess days: Availability<br />

of press/PR samples<br />

December<br />

March* & April*<br />

<strong>edition</strong>s<br />

*In the next calender year.<br />

other magazines allowing the trend coverage to trickle out across issues from<br />

January onwards to stimulate interest.<br />

Obviously, the interpretation by fashion editors of what the major colours<br />

and styling features are for a season has an impact on consumers’ belief of<br />

what is fashionable. ‘Must-have’ colours, styles and products are promoted<br />

through the magazine features and consumers are educated into an acceptance<br />

of what to wear that season. In addition to the specific trend coverage of<br />

the RTW shows, the magazines include specific fashion features that focus on<br />

a particular aspect of the season. This could be based on an occasion, such as<br />

‘holidays’, or on a strong fashion theme such as a denim look. Many of these<br />

features will include photographs of season’s products that are to be in the<br />

stores at the time the magazine is published.<br />

In order to take advantage of such opportunities, many fashion brands hold<br />

‘press days’ during which fashion journalists and editors preview the forthcoming<br />

ranges. In the UK these typically occur in July for Christmas and<br />

November for SS. This exposure provides magazines with relevant material<br />

to shoot for their fashion features and benefits fashion brands by giving them<br />

crucial publicity. Brands provide fashion journalists with ‘look books’ containing<br />

photographs of key products from the new ranges and many of the<br />

monthly magazines select items from the ‘books’ to shoot for their own features.<br />

As the season unfolds, so the media in all its various forms feature particular<br />

looks across their monthly <strong>edition</strong>s, maintaining the ‘newness’ of the<br />

fashions and interest from consumers. Efficient buying departments are able<br />

to respond to fast emerging ‘hot trends’ that supplement the rest of the range.<br />

References<br />

Barnard, M. (2001). <strong>Fashion</strong> as Communication. London: Routledge.<br />

Breward, C. (2003). <strong>Fashion</strong>, Oxford: Oxford University <strong>Pr</strong>ess, p. 9.<br />

Charles-Roux, E. (1981). Chanel and Her World. London: Weidenfeld and<br />

Nicolson, p. 237.

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