Fashion Marketing: Contemporary Issues, Second edition - Pr School
Fashion Marketing: Contemporary Issues, Second edition - Pr School
Fashion Marketing: Contemporary Issues, Second edition - Pr School
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The making and marketing of a trend 305<br />
banking on, however, was how areas of interest such as epidemiology or virology<br />
would impact so profoundly on his other interests: why trends as in social<br />
or fashion trends happen the way they happen, how movements or ideas run<br />
through the culture the way they do.<br />
We think, for instance, that they happen slowly, he says, and over a long<br />
period of time, moving carefully and measurably through those categories<br />
cool hunters or trend forecasters are so fond of using – from innovators,<br />
to Early Adopters, to Early Majority, to Late Majority and finally onto the<br />
Laggards – as each one of us takes it on when we are ready, familiar with the<br />
shape of that shoe for instance, or comfortable with the textures and surfaces<br />
of that chair or that house (Gladwell, 2000b).<br />
But no, Gladwell, with his knowledge of virology, noted that the opposite<br />
was the case. That ideas and products and messages and behaviours spread<br />
just like viruses do. More bizarrely, he noticed that the spread corresponded to<br />
characteristics found in all infections, that they were not slow to infect, but did<br />
so rapidly and in strict geometric progression. More peculiarly, he observed<br />
that it only took one or two people or carriers to spread the disease, and that<br />
once this infection process began, it showed up as a dramatic and upward<br />
curve. The point at which this curve hits critical mass has been named the<br />
Tipping Point, the title of his book.<br />
For Godin (2000a), it is a similar procedure. For him, in future all ideas and<br />
fashion statements will be spread this way. His book is a perfect example of<br />
this. Launched with no advertizing budget, it is a paradigm of that process;<br />
you can download it from the Internet (at www.ideasvirus.com) and, when<br />
you do, it tells you how the book can be spread like a virus via chatrooms,<br />
e-mails to friends, by firestorming bulletin boards or by word of mouth (Godin,<br />
2000b). This of course is how fashion and lifestyle trends can be spread most<br />
effectively. All of which throws into doubt much of what we have always<br />
believed about how trends spread, why they spread, and the part or otherwise<br />
advertizing, the media and big budget marketing play in spreading them.<br />
The latter not a lot, if you are to believe the central plank of Gladwell or<br />
Godin’s thesis. Indeed, for both, word of mouth (viral marketing) is by far<br />
the best way for trends or ideas to spread, and this happens best and most<br />
effectively – not by TV, by advertizing (interruption marketing) or niche<br />
advertizing as one would suspect – but via a network of people Gladwell calls<br />
mavens, connectors and salesman, yes, by word of mouth.<br />
These are a small but influential (his Law of the Few) group of men and<br />
women who, because of their positions (connectors), the way they garner and<br />
store information (mavens), or indeed disseminate such information in a way<br />
that is more palatable to the slow to catch on majority (salesmen), are core<br />
to the whole process of how tastes, trends and ideas are brokered or spread<br />
to the rest of the population. Media Street Network, a successful US trends<br />
consultancy and media marketing agency run by 23-year-old Reggie Styles,<br />
does this by recruiting teams of teenagers from the street who will either tell<br />
him what’s hot and what’s not, or if his company already has a hot trend,<br />
product or music idea to promote, it will use these teenagers to connect with