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Fashion Marketing: Contemporary Issues, Second edition - Pr School

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234 <strong>Fashion</strong> <strong>Marketing</strong><br />

Based on Hatch and Schultz’s model, the concept of vision, culture and<br />

image indicate that there are gaps between these interfaces, which can be<br />

termed as the vision–culture gap, the image–culture gap, and the vision–image<br />

gap. Amongst these three interfaces, vision–culture gap (desired identity and<br />

actual identity gap) has attracted the most attention while the vision–image<br />

gap (desired identity and perceived identity gap) has been neglected. For<br />

example, in Kiriakidou and Millward’s (2000) study, they examine the ‘degree<br />

of fit’ between the desired and actual identity based on employees’ perceptions.<br />

However, despite an increasing number of studies in this area, there<br />

is still a paucity of empirical research which explores the desired – vis-à-vis<br />

perceived identity gap. Therefore, the focus is to identify the gap between the<br />

desired identity and perceived identity. More specifically, we investigate the<br />

gap between the corporate and management visions of the organization, which<br />

are often decided by the top management team (desired identity) and customers’<br />

perceptions towards the organization’s identity (perceived identity).<br />

Corporate identity constructs<br />

The extant literature has considered a number of dimensions of corporate<br />

identity as presented in Figure 12.1. Schmidt (1995) proposes five main constructs<br />

of corporate identity, including corporate culture, corporate behaviour,<br />

products and services, communications and designs and market conditions<br />

and strategies; van Riel and Balmer (1997) suggest that the way for organizations<br />

to obtain favourable corporate reputation and better organizational and<br />

financial performance is to use corporate identity mix which consists of behaviour,<br />

communication and symbolism (Stuart, 1999). Balmer and Soenen (1999)<br />

introduce a novel corporate identity mix as being composed of the soul, mind<br />

and voice. Melewar and Saunders (2000) propound that Balmer and Soenen’s<br />

corporate identity mix should also include the body of the organization, such<br />

as the location, building and the nationality of the corporation. The above<br />

studies suggest that although various authors identify and categorize the<br />

identity constructs and components in different ways, their views harmonize<br />

with each other. Although there are different notions on the terminology<br />

and elements of the corporate identity constructs, they should not be regarded<br />

as stand-alone constructs; they should be viewed from a holistic perspective,<br />

as integrated mixes of corporate identity. Our approach here mainly adopts<br />

Schmidt’s (1995) corporate identity constructs as they largely coincide with<br />

and overlap with other authors’ constructs, as seen in Figure 12.1.<br />

Corporate culture<br />

Some authors may argue that corporate culture is notably the most import-ant<br />

element of corporate identity formation (Baker and Balmer, 1997) and the corporate<br />

culture should reflect organization’s missions and ethos. In order to have<br />

a successful corporate brand, an organization should understand its corporate

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