09.09.2014 Views

Boxoffice-October.01.1955

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

That Extra Effort Pays,<br />

Billy Clifford Affirms<br />

Just ii sel lew posters and some iiewspiiper<br />

advertising can't be expected tr,<br />

bnns patrons out of their homes away from<br />

their daily hves. No, it takes some mmniick.<br />

some promotional idea to wake them<br />

up. yet them out to the theatre boxoffice."<br />

With this precept to go by, H. E. "Billy"<br />

Clifford, manager of the Chakeres circuit's<br />

Harrod in Harrodsburt;. Ky.. has for the<br />

past three years promoted many top pictures<br />

with more than just routine ballyhoo.<br />

His recent efforts in behalf of "Strategic<br />

Air Command," however, outdid any other<br />

promotional endeavor, in his opinion, and<br />

resulted in one of the largest grosses for his<br />

theatre to date.<br />

Breaking the picture at the same time<br />

as National Air Force Week helped Clifford<br />

set his record. In addition to his regular<br />

ads and lobby displays, he arranged for<br />

a parade of all the "top brass" of the<br />

Strategic Air Command in Kentucky, whose<br />

main office is in Louisville. Also taking<br />

part in the parade, which stretched out<br />

five blocks long, was the Harrodsburg band,<br />

the top hiKh school band in Kentucky;<br />

Mayor Dudley L. Lacefield: all the war<br />

veteran groups, civic clubs, the PTA. the<br />

Boy Scouts and the Girl Scouts. From<br />

convertible cars, three of the loveliest local<br />

girls tossed miniature jet-bombers to the<br />

crowds that lined the avenue of the parade.<br />

The manager summed up his feelings<br />

on his "extra" effort: "The money is<br />

in every pocket, in every home, and it can<br />

be diverted with some efforts upon the part<br />

of theatremen into paid returns."<br />

Books Cooking School<br />

Iz Perlin of the Stanley Theatre in Camden,<br />

N. J., has lined up a $500 Cooking<br />

School program for his theatre, making<br />

good use of the house when it would otherwise<br />

be dark.<br />

FEAT BY HYPNOTIST FOR SVENGALI<br />

DRAWS CROWDS, MAKES EM GASP<br />

Word of Mouth Publicity Builds Up as Girl<br />

Is Put to Sleep in Window of Store<br />

Object of all eyes in the crowd is Miss Trilby ot 1955,<br />

to promote a word-of-mouth buildup of "Svcngoli."<br />

The kind of stunt that's sure to drawbig<br />

crowds and leave 'em gasping was engineered<br />

by Maury Schwarz when "Svengah"<br />

opened at his Rio Theatre. San Fi-ancisco.<br />

Schwarz secured the services of Dr.<br />

Zarro, a hypnotist, who made radio and<br />

television appearances for three days before<br />

the opening. He hypnotized volunteers<br />

from the studio audience on Don<br />

Sherwood's This is San Francisco TV show,<br />

on Marjory Trumbull's Exclusively Yours<br />

and on Sandy Spillman's KPIX show.<br />

The hypnotist also performed for film<br />

critics at their special screening.<br />

ho is being hypnotized<br />

The piece de resistance, however, came<br />

out on the day of the premiere. Dr. Zarro<br />

set up his act in the Market street window<br />

of the Coronet Convert-a-Bed store, where<br />

he put to sleep, in hypnotic trance, a girl<br />

dubbed Miss Trilby of 1955. This occurred<br />

at 11 ajn. with crowds outside informed<br />

via loudspeaker as to what was going on.<br />

She "slept" there all day until 7:30.<br />

drawing thousands of curious viewers during<br />

the day. Then, she was rushed by ambulance<br />

to the Rio, and wheeled onto the<br />

stage, where the hypnotist awakened her.<br />

He followed this up by hypnotizing several<br />

volunteers from the capacity audience.<br />

The dimensional display is used successfully by Tom Daley, monagcr of the Uni»er$ity Theatre, Toronto. They arc designed by Ooley ond built by a<br />

local studio Often, the troditionol accessories are used and adapted to the porticulor needs of the theatre, olthough frequently entirely new illu»troli»c<br />

ideas arc developed. The disploys arc spotted in the foyer, but ore shifted to a huge picture window which faces Bloor street—Toronto's Fifth ovenue<br />

during the run of the picture. For the "Eost of Eden" display, a color scheme of light ond dork blues; siUer and white wot used. For "Mombo," it woi<br />

red, yellow, block ond white, while for "The Man Who Loved Redheads," o combmotion of pink, turquoise, dork blue and white was used.<br />

.jl BOXOFFICE Showmandiser :: October 1, 1955 — 309 — 45

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!