Boxoffice-October.01.1955
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That Extra Effort Pays,<br />
Billy Clifford Affirms<br />
Just ii sel lew posters and some iiewspiiper<br />
advertising can't be expected tr,<br />
bnns patrons out of their homes away from<br />
their daily hves. No, it takes some mmniick.<br />
some promotional idea to wake them<br />
up. yet them out to the theatre boxoffice."<br />
With this precept to go by, H. E. "Billy"<br />
Clifford, manager of the Chakeres circuit's<br />
Harrod in Harrodsburt;. Ky.. has for the<br />
past three years promoted many top pictures<br />
with more than just routine ballyhoo.<br />
His recent efforts in behalf of "Strategic<br />
Air Command," however, outdid any other<br />
promotional endeavor, in his opinion, and<br />
resulted in one of the largest grosses for his<br />
theatre to date.<br />
Breaking the picture at the same time<br />
as National Air Force Week helped Clifford<br />
set his record. In addition to his regular<br />
ads and lobby displays, he arranged for<br />
a parade of all the "top brass" of the<br />
Strategic Air Command in Kentucky, whose<br />
main office is in Louisville. Also taking<br />
part in the parade, which stretched out<br />
five blocks long, was the Harrodsburg band,<br />
the top hiKh school band in Kentucky;<br />
Mayor Dudley L. Lacefield: all the war<br />
veteran groups, civic clubs, the PTA. the<br />
Boy Scouts and the Girl Scouts. From<br />
convertible cars, three of the loveliest local<br />
girls tossed miniature jet-bombers to the<br />
crowds that lined the avenue of the parade.<br />
The manager summed up his feelings<br />
on his "extra" effort: "The money is<br />
in every pocket, in every home, and it can<br />
be diverted with some efforts upon the part<br />
of theatremen into paid returns."<br />
Books Cooking School<br />
Iz Perlin of the Stanley Theatre in Camden,<br />
N. J., has lined up a $500 Cooking<br />
School program for his theatre, making<br />
good use of the house when it would otherwise<br />
be dark.<br />
FEAT BY HYPNOTIST FOR SVENGALI<br />
DRAWS CROWDS, MAKES EM GASP<br />
Word of Mouth Publicity Builds Up as Girl<br />
Is Put to Sleep in Window of Store<br />
Object of all eyes in the crowd is Miss Trilby ot 1955,<br />
to promote a word-of-mouth buildup of "Svcngoli."<br />
The kind of stunt that's sure to drawbig<br />
crowds and leave 'em gasping was engineered<br />
by Maury Schwarz when "Svengah"<br />
opened at his Rio Theatre. San Fi-ancisco.<br />
Schwarz secured the services of Dr.<br />
Zarro, a hypnotist, who made radio and<br />
television appearances for three days before<br />
the opening. He hypnotized volunteers<br />
from the studio audience on Don<br />
Sherwood's This is San Francisco TV show,<br />
on Marjory Trumbull's Exclusively Yours<br />
and on Sandy Spillman's KPIX show.<br />
The hypnotist also performed for film<br />
critics at their special screening.<br />
ho is being hypnotized<br />
The piece de resistance, however, came<br />
out on the day of the premiere. Dr. Zarro<br />
set up his act in the Market street window<br />
of the Coronet Convert-a-Bed store, where<br />
he put to sleep, in hypnotic trance, a girl<br />
dubbed Miss Trilby of 1955. This occurred<br />
at 11 ajn. with crowds outside informed<br />
via loudspeaker as to what was going on.<br />
She "slept" there all day until 7:30.<br />
drawing thousands of curious viewers during<br />
the day. Then, she was rushed by ambulance<br />
to the Rio, and wheeled onto the<br />
stage, where the hypnotist awakened her.<br />
He followed this up by hypnotizing several<br />
volunteers from the capacity audience.<br />
The dimensional display is used successfully by Tom Daley, monagcr of the Uni»er$ity Theatre, Toronto. They arc designed by Ooley ond built by a<br />
local studio Often, the troditionol accessories are used and adapted to the porticulor needs of the theatre, olthough frequently entirely new illu»troli»c<br />
ideas arc developed. The disploys arc spotted in the foyer, but ore shifted to a huge picture window which faces Bloor street—Toronto's Fifth ovenue<br />
during the run of the picture. For the "Eost of Eden" display, a color scheme of light ond dork blues; siUer and white wot used. For "Mombo," it woi<br />
red, yellow, block ond white, while for "The Man Who Loved Redheads," o combmotion of pink, turquoise, dork blue and white was used.<br />
.jl BOXOFFICE Showmandiser :: October 1, 1955 — 309 — 45