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Boxoffice-October.01.1955

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ARBITRATION PLAN DRAFTED;<br />

AWAITS EXHIBITOR APPROVAL<br />

If Justice Dep't Gives OK.<br />

May Become Effective<br />

In Next Three Months<br />

NEW YORK—An industry arbitration<br />

and conciliation plan finally has been approved<br />

by the distributor-exhibitor committee<br />

which has had it under consideration<br />

since April 25, 1953. The draft carried<br />

the date Jan. 10, 1955—an indication that<br />

the text of the plan had been agreed on<br />

by the exhibitor-distributor conferees<br />

nine months ago, although some modifications<br />

were known to have been made in<br />

May.<br />

One exhibitor organization. Independent<br />

Theatre Owners of New York, already has<br />

approved it. It probably will go before the<br />

Theatre Owners of America convention at<br />

Los Angeles October 6-9. In the meantime<br />

committee meetings will discuss it.<br />

The Southern California Theatre Owners<br />

Ass'n is expected to act shortly.<br />

TO BE TESTED FOR ONE YEAR<br />

The next move then will be to pre.sent<br />

It to the attorney general in Washington to<br />

find out whether it violates any provisions<br />

of the consent decrees in the antitrust litigation.<br />

It is expected that these preliminaries will<br />

be completed within three months and that<br />

the plan will then go into effect for a 12-<br />

month test period.<br />

If it is not renewed at the end of the 12-<br />

month test, the plan will continue until<br />

cases on which orders have been issued .shall<br />

have been disposed of.<br />

No definite plan for financing the project<br />

is contained in the mimeographed forms, but<br />

provision for charging fees on all cases filed<br />

is made. These facts will be fixed later.<br />

There also will be fees on appeals.<br />

A simplified conciliation plan is appended<br />

to get quick, inexpensive decisions in controversies.<br />

Complainants can write to exchange<br />

managers. They will hear the complaint.<br />

If no decision is reached by the exchange<br />

head, the exhibitor can take the<br />

matter directly to the general sales manager<br />

who can hear the case himself or designate a<br />

representative. If the exhibitor isn't sati.sfied<br />

with the ruling, he still has the privilege of<br />

going to arbitration.<br />

The entire method of procedure is less<br />

complicated than the old American Arbitration<br />

Ass'n plan set up by Judge Goddard.<br />

That system cost $350,000 a year. Al Llchtman,<br />

director of sales for 20th Century-Fox,<br />

recently estimated that this plan would cost<br />

$150,000, with the costs equally divided between<br />

exhibitor complainants and distributors.<br />

UNDER NATIONAL SUPERVISION<br />

A Nntloniil Administrative Committee will<br />

supervise the over-all activities and al.so the<br />

work of the exchange center boards, which<br />

will be .served by paid clerks.<br />

Exhibitors are the only ones who can file<br />

complaints, although distributors can file appeals.<br />

Each side. Including Interveners, can<br />

be represented by one lawyer each.<br />

Two principal subjects discussed in the plan<br />

New York ITOA Okays<br />

Full Arbitration Plan<br />

NEW YORK—Independent Theatre<br />

Owners Ass'n of New York has approved<br />

the arbitration plan and a proposal for<br />

a new ticket tax campaign to remove the<br />

tax entirely. The action was taken at the<br />

first fall meeting. Max A. Cohen, who<br />

was the ITOA representative on the allindustry<br />

committee, explained the details<br />

of the proposed arbitration.<br />

The ITOA urged the Council of Motion<br />

Picture Organizations to go ahead<br />

with a tax drive. It also was decided to<br />

notify members that every effort should<br />

be made to forestall legislation designed<br />

to bring about federal control of the<br />

business.<br />

New directors were elected as follows:<br />

Richard Brandt, Samuel Einhorn. Norman<br />

Elson, Sam Freedman, Jack Hattem,<br />

Ben Knobel, Larry Kurtis, MuiTay Le-<br />

Boss, Martin Levine, Al Margolies, Melvin<br />

Miller, Walter Neithold, Irving Renner.<br />

Ray Rhonde, Jack Rochelle. Al Shukat<br />

and David Weinstock.<br />

New members of the association are the<br />

72nd Street Playhouse, operated by Martin<br />

Lewis, and the Avon and Stamford<br />

theatres, operated by Samuel Weiss at<br />

Stamford, Conn.<br />

are clearance and runs.<br />

Exhibitors can complain that clearance is<br />

being granted by the distributor against the<br />

complainant's theatre and in favor of a theatre<br />

or theatres not in substantial competition<br />

with complainant's theatre, or<br />

Clearance is being granted by the distributor<br />

against the complainant's in favor of a<br />

theatre or theatres in substantial competition<br />

therewith in excess of what is reasonably<br />

necessary to the licen.se of a competitive theatre<br />

on the runs granted to it.<br />

The burden of sustaining the reasonableness<br />

of clearance is on the distributor.<br />

Factors to be taken into consideration are:<br />

Admi.ssion prices, character and location of<br />

the theatre, type of entertainment, appointments,<br />

transit facilities, etc.<br />

Arbitrators can dismi.ss complaints, find in<br />

favor of complainant, i.ssue cease and desist<br />

order: award damages, if asked. Distributors<br />

can institute further proceedings for a<br />

modification if they can prove conditions<br />

have changed.<br />

Controversies on runs originating before or<br />

after effective date of the arbitration plan<br />

can be considered. If the exhibitor can show<br />

that he has been refused product. Arbitrators<br />

will take into consideration type of theatre<br />

and other factors similar to clearance,<br />

including capacity of theatre for producing<br />

revenue.<br />

Competitive bidding must close ten days<br />

before an award of a picture and an exhibitor<br />

must be allowed to .see the picture In<br />

advance of bidding.<br />

Failure to deliver prints in time for exhibition<br />

is arbitrable.<br />

Conditioning one license upon another is<br />

forbidden. This includes shorts, newsreels, or<br />

reissues, westerns or foreigns. An exhibitor<br />

must mail his complaint to the arbitrators not<br />

less than ten days after the request for conditioning<br />

takes place.<br />

Under the heading: "General Provision" It<br />

is stated that unless damages are claimed at<br />

the time of filing a complaint, none shall be<br />

awarded.<br />

A National Administrative Committee is to<br />

be formed. Apparently there will not be a<br />

single national administrator. The committee<br />

will have three members designated by<br />

Theatre Owners of America, one by Independent<br />

Theatre Owners Ass'n of New York,<br />

one designated by Southern California Theatre<br />

Owners Ass'n, one by International<br />

Drive-In Theatres Ass'n and three by the<br />

distributors signing the agreement. Others<br />

may be added later, but not more than three.<br />

There will be local arbitration committees<br />

subject to the supervision of the national<br />

group. Each local committee will include a<br />

member chosen by exhibitor members of the<br />

national group, an equal number chosen by<br />

the distributor members of the national body.<br />

The national group will decide the location<br />

and area of authority of local groups.<br />

Each local committee must provide a panel<br />

of neutral arbitrators and file it with the<br />

national committee. Each regional committee<br />

will have a clerk. Arbitrators will be<br />

entitled to fees and expenses.<br />

A national appeals board will be organized<br />

by the national committee. It will consist of<br />

three impartial non-industry members. First<br />

terms of office will be for 18 months. Thereafter<br />

tenure will be decided by the national<br />

body. Appeals will be heard in various cities.<br />

Rules of practice and procedure say complainants<br />

must supply three copies of all<br />

names and addresses of those who may be<br />

affected by a complaint. Where only one<br />

exhibitor and distributor are concerned they<br />

shall pick a third arbitrator.<br />

Expenses and other payments will be fixed<br />

by the national group. Witnes.ses must testify<br />

under oath. Exhibitors can withdraw complaints.<br />

If no request for damages is included and<br />

no request for a stenographic record, none<br />

will be made.<br />

After an award has been made the case<br />

can be reopened for correction of errors.<br />

Appeals must be filed, with a fee, with local<br />

clerks. Tlic appeals board may increase or<br />

decrease an award.<br />

NT Hearing Set on Bid<br />

For Las Vegas Drive-In<br />

WASHINGTON—National Theatres will<br />

have a hearing on October 10 in New York<br />

City on a bid to acquire a 1,200-car capacity<br />

drive-in at Las Vegas, Nev., according to<br />

Justice Department officials on Tuesday (21).<br />

Interested parties may testify.<br />

The drive-in is already in operation, but<br />

the present owners wish to dispose of it.<br />

National Theatres at the present time does<br />

not have any Las Vegas theatres.<br />

The hearing will be at 2 p.m. before Federal<br />

District Judge Clancy.<br />

8<br />

BOXOFFICE :: October 1, 1955

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