The Spinster and Her Enemies - Feminish
The Spinster and Her Enemies - Feminish
The Spinster and Her Enemies - Feminish
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WOMEN’S FRIENDSHIPS AND LESBIANISM<br />
Those years with Winifred taught me that the type of<br />
friendship which reaches its apotheosis in the story of David<br />
<strong>and</strong> Jonathan is not a monopoly of the masculine sex.<br />
Hitherto, perhaps owing to a lack of women recorders, this<br />
fact has been found difficult to accept by men, <strong>and</strong> even by<br />
other women. Some feminine individualists believe they<br />
flatter men by fostering the fiction of women’s jealous<br />
inability to love <strong>and</strong> respect one another. Other sceptics are<br />
roused by any record of affection between women to suspicions<br />
habitual among the over-sophisticated.<br />
Too, too Chelsea!’ Winifred would comment amiably in<br />
after years when some zealous friend related the newest legend<br />
current about us in the neighbourhood. 54<br />
David <strong>and</strong> Jonathan have been reclaimed by contemporary gay<br />
men as homosexual lovers. We can only surmise that Vera<br />
Brittain made no such assumption. She saw their relationship<br />
as the epitome of innocent friendship, <strong>and</strong> is careful to record<br />
her own scorn <strong>and</strong> that of Winifred of the ‘suspicions’ of the<br />
‘oversophisticated’, which were presumably that the two women<br />
were lesbian.<br />
Rosamund Lehmann’s novel Dusty Answer (1927) provides<br />
us with an interesting halfway house. It portrays a passionate<br />
emotional involvement between two young women, Jennifer<br />
<strong>and</strong> Judith, who engage in physical caresses <strong>and</strong> who are<br />
obviously ‘in love’ with each other. <strong>The</strong> young women are<br />
portrayed as reluctant to make a formal acknowledgement of<br />
their love affair. This relationship is interrupted by the intrusion<br />
of Geraldine, who casts the spell of explicit sexual attraction<br />
over Jennifer, <strong>and</strong> sweeps her away into a lesbian affair.<br />
Geraldine is described according to a stereotype of the<br />
masculine, powerful, <strong>and</strong> slightly wicked lesbian. Judith<br />
describes her thus:<br />
At last it confronted her, the silent-looking face, watching<br />
behind its narrowed eyes. <strong>The</strong> hair was black, short, brushed<br />
straight back from the forehead, leaving small beautiful ears<br />
exposed. <strong>The</strong> heavy eyebrows came low <strong>and</strong> level on the<br />
low broad brow; the eyes were long slits, dark-circled, the<br />
cheeks were pale, the jaw heavy <strong>and</strong> masculine. All the<br />
meaning of the face was concentrated in the mouth, the<br />
strange wide lips laid rather flat on the face, sulky,<br />
passionate, weary, eager. She was not a young girl. It was<br />
the face of a woman of thirty or more; but in years she might<br />
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