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The Spinster and Her Enemies - Feminish

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WOMEN’S FRIENDSHIPS AND LESBIANISM<br />

Those years with Winifred taught me that the type of<br />

friendship which reaches its apotheosis in the story of David<br />

<strong>and</strong> Jonathan is not a monopoly of the masculine sex.<br />

Hitherto, perhaps owing to a lack of women recorders, this<br />

fact has been found difficult to accept by men, <strong>and</strong> even by<br />

other women. Some feminine individualists believe they<br />

flatter men by fostering the fiction of women’s jealous<br />

inability to love <strong>and</strong> respect one another. Other sceptics are<br />

roused by any record of affection between women to suspicions<br />

habitual among the over-sophisticated.<br />

Too, too Chelsea!’ Winifred would comment amiably in<br />

after years when some zealous friend related the newest legend<br />

current about us in the neighbourhood. 54<br />

David <strong>and</strong> Jonathan have been reclaimed by contemporary gay<br />

men as homosexual lovers. We can only surmise that Vera<br />

Brittain made no such assumption. She saw their relationship<br />

as the epitome of innocent friendship, <strong>and</strong> is careful to record<br />

her own scorn <strong>and</strong> that of Winifred of the ‘suspicions’ of the<br />

‘oversophisticated’, which were presumably that the two women<br />

were lesbian.<br />

Rosamund Lehmann’s novel Dusty Answer (1927) provides<br />

us with an interesting halfway house. It portrays a passionate<br />

emotional involvement between two young women, Jennifer<br />

<strong>and</strong> Judith, who engage in physical caresses <strong>and</strong> who are<br />

obviously ‘in love’ with each other. <strong>The</strong> young women are<br />

portrayed as reluctant to make a formal acknowledgement of<br />

their love affair. This relationship is interrupted by the intrusion<br />

of Geraldine, who casts the spell of explicit sexual attraction<br />

over Jennifer, <strong>and</strong> sweeps her away into a lesbian affair.<br />

Geraldine is described according to a stereotype of the<br />

masculine, powerful, <strong>and</strong> slightly wicked lesbian. Judith<br />

describes her thus:<br />

At last it confronted her, the silent-looking face, watching<br />

behind its narrowed eyes. <strong>The</strong> hair was black, short, brushed<br />

straight back from the forehead, leaving small beautiful ears<br />

exposed. <strong>The</strong> heavy eyebrows came low <strong>and</strong> level on the<br />

low broad brow; the eyes were long slits, dark-circled, the<br />

cheeks were pale, the jaw heavy <strong>and</strong> masculine. All the<br />

meaning of the face was concentrated in the mouth, the<br />

strange wide lips laid rather flat on the face, sulky,<br />

passionate, weary, eager. She was not a young girl. It was<br />

the face of a woman of thirty or more; but in years she might<br />

124

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