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The Rough Guide to Venice and the Veneto

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gatekeeper might do <strong>the</strong> trick if he’s not feeling harassed or if you can convince<br />

him of an unquenchable interest in Palladian architecture.<br />

<strong>The</strong> little harbour on <strong>the</strong> o<strong>the</strong>r side of <strong>the</strong> church was exp<strong>and</strong>ed during <strong>the</strong> second<br />

French occupation of 1806–15, when Napoleon decided <strong>to</strong> accord <strong>the</strong> isl<strong>and</strong><br />

<strong>the</strong> status of a free port, in emulation of <strong>the</strong> tariff-free port of Trieste. A professor of<br />

architecture at <strong>the</strong> Accademia designed <strong>the</strong> two diminutive lighthouses in 1813.<br />

<strong>the</strong> sou<strong>the</strong>rn isl<strong>and</strong>s<br />

|<br />

La Giudecca<br />

La Giudecca<br />

In <strong>the</strong> earliest records of <strong>Venice</strong> <strong>the</strong> chain of islets now called La Giudecca was<br />

known as Spina Longa, a name clearly derived from its shape. <strong>The</strong> modern name<br />

might refer <strong>to</strong> <strong>the</strong> Jews (Giudei) who lived here from <strong>the</strong> late thirteenth century<br />

until <strong>the</strong>ir removal <strong>to</strong> <strong>the</strong> Ghet<strong>to</strong>, but is most likely <strong>to</strong> originate with <strong>the</strong> two<br />

disruptive noble families who in <strong>the</strong> ninth century were shoved in<strong>to</strong> this district<br />

<strong>to</strong> keep <strong>the</strong>m out of mischief (giudicati means “judged”). Before <strong>the</strong> Brenta River<br />

became <strong>the</strong> prestigious site for summer abodes, La Giudecca was where <strong>the</strong><br />

wealthiest aris<strong>to</strong>crats of early Renaissance <strong>Venice</strong> built <strong>the</strong>ir villas. Michelangelo,<br />

self-exiled from Florence in 1529, consoled himself in <strong>the</strong> gardens of this isl<strong>and</strong>,<br />

traces of which remain on its south side. <strong>The</strong> most extensive of La Giudecca’s surviving<br />

private gardens, <strong>the</strong> so-called Garden of Eden (at <strong>the</strong> end of <strong>the</strong> Rio della<br />

Croce), is bigger than any o<strong>the</strong>r in <strong>Venice</strong> – larger even than <strong>the</strong> public Giardini<br />

Papadopoli, at <strong>the</strong> head of <strong>the</strong> Canal Gr<strong>and</strong>e. Its name refers not <strong>to</strong> its paradisical<br />

properties but <strong>to</strong> a certain Mr Eden, <strong>the</strong> English gardener who planted it.<br />

Giudecca was also <strong>the</strong> city’s industrial inner suburb: <strong>Venice</strong>’s public transport<br />

boats used <strong>to</strong> be made here; an asphalt fac<strong>to</strong>ry <strong>and</strong> a distillery were once neighbours<br />

on <strong>the</strong> western end; <strong>and</strong> <strong>the</strong> matting industry, originating in <strong>the</strong> nineteenth century,<br />

kept going until 1950. However, <strong>the</strong> present-day isl<strong>and</strong> is a potent emblem of <strong>Venice</strong>’s<br />

loss of economic self-sufficiency in <strong>the</strong> twentieth century. In <strong>the</strong> mid-1990s <strong>the</strong><br />

clock <strong>and</strong> watch firm Junghans, one of <strong>the</strong> city’s major employers for half a century,<br />

220

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