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The Rough Guide to Venice and the Veneto

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Vene<strong>to</strong>-Byzantine palaces<br />

<strong>The</strong> oldest surviving palaces are Vene<strong>to</strong>-Byzantine,<br />

a style that was originally two-s<strong>to</strong>rey, with s<strong>to</strong>rage<br />

below <strong>and</strong> living accommodation upstairs, <strong>and</strong> steeply<br />

arched colonnades across <strong>the</strong> whole facade, as can<br />

be seen in <strong>the</strong> Ca’ Farsetti <strong>and</strong> Ca’ Loredan, by<br />

<strong>the</strong> Rial<strong>to</strong> bridge. Ano<strong>the</strong>r Byzantine feature are <strong>the</strong><br />

decorative s<strong>to</strong>ne panels called paterae, some of<br />

which were brought back from Constantinople after<br />

<strong>the</strong> Fourth Crusade, though most of <strong>the</strong> paterae that<br />

survive are later reworkings of <strong>the</strong> genre. A taste for<br />

surface decoration – attributable in part <strong>to</strong> <strong>the</strong> city’s<br />

trading ties with <strong>the</strong> Islamic world – was <strong>to</strong> prove highly<br />

durable: just as <strong>the</strong> facades of <strong>the</strong> Vene<strong>to</strong>-Byzantine<br />

palaces were adorned with carved panels <strong>and</strong> coloured<br />

marble, so <strong>the</strong> later ones were studded with reliefs <strong>and</strong><br />

heraldic devices, <strong>and</strong> sometimes even frescoed.<br />

Gothic palaces<br />

Around <strong>the</strong> mid-thirteenth century <strong>the</strong> steep Byzantine arch started <strong>to</strong><br />

mutate in<strong>to</strong> an arch with a pointed crown, <strong>and</strong> by end of <strong>the</strong> following<br />

century <strong>the</strong> Venetian Gothic style – <strong>the</strong> city’s dominant type – had fully<br />

evolved, featuring peaked arches (often with three lobes) on large windows<br />

that were often linked with elaborate tracery (<strong>the</strong> Palazzo Ducale provided<br />

a model for this). <strong>The</strong> windows were clustered <strong>to</strong>ge<strong>the</strong>r in <strong>the</strong> centre of <strong>the</strong><br />

facade between symmetrically placed side windows, indicating an interior<br />

plan that had by now reached its definitive form, with all <strong>the</strong> upper s<strong>to</strong>ries<br />

more or less arranged in <strong>the</strong> same way.<br />

<strong>The</strong> most spectacular examples of Venetian Gothic are <strong>the</strong> Ca’ d’Oro <strong>and</strong> <strong>the</strong> slightly later<br />

Fòscari <strong>and</strong> Giustiniani palaces, whose extravagance reflects <strong>the</strong> increasing wealth of a city<br />

that was now a dominant maritime power with a sizeable terra firma domain. Palaces at this time<br />

were becoming bigger <strong>and</strong> taller than ever before, <strong>and</strong> <strong>the</strong> density of housing was increasing <strong>to</strong><br />

accommodate a population that rose by forty percent in <strong>the</strong> fifteenth century, <strong>to</strong> around 140,000.<br />

g Palazzi Giustiniani <strong>and</strong> Ca’ Fòscari g Ca’ Farsetti <strong>and</strong> Ca’ Loredan

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