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were struggles for influence, <strong>the</strong> battle lines being drawn between <strong>the</strong> Longhi, <strong>the</strong><br />
families who claimed descent from <strong>the</strong> city’s founders, <strong>and</strong> <strong>the</strong> Curti, whose genealogical<br />
tables ran a bit short. An outside observer, exposed <strong>to</strong> <strong>the</strong> machinations of<br />
<strong>Venice</strong>’s rulers, noted – “<strong>The</strong>y kill not with blood but with ballots”.<br />
<strong>The</strong> seeming compliance of <strong>the</strong> 98 percent of <strong>the</strong> population that was shut out from<br />
active politics is largely explained by <strong>the</strong> economic cohesion of <strong>the</strong> city: its governors<br />
were also its businessmen <strong>and</strong> its chief employers, so were unlikely <strong>to</strong> adopt policies<br />
damaging <strong>to</strong> <strong>the</strong> financial interests of <strong>the</strong>mselves <strong>and</strong> <strong>the</strong>ir workforce. <strong>The</strong> paternalism<br />
of <strong>the</strong> Venetian system helped keep things quiet <strong>to</strong>o – <strong>the</strong> public health measures<br />
<strong>and</strong> emergency plans for bad harvest years were admired throughout Europe. And<br />
when, on <strong>the</strong> odd occasion, <strong>the</strong> bosses did contemplate measures that would have<br />
been unpopular outside <strong>the</strong> council chambers, <strong>the</strong>re is plenty of evidence that “<strong>the</strong><br />
murmuring in <strong>the</strong> city” quickly put <strong>the</strong>m right. In 1510, for example, a massive demonstration<br />
in <strong>the</strong> Piazza persuaded <strong>the</strong> government that <strong>the</strong>y should imprison <strong>the</strong><br />
defeated general whose arrest <strong>the</strong> people were dem<strong>and</strong>ing.<br />
<strong>The</strong> doge<br />
Regarding <strong>the</strong> doge, it’s a common misunderst<strong>and</strong>ing that he was a mere figurehead,<br />
confined <strong>to</strong> his palace under a sort of luxurious house arrest. It’s true that <strong>the</strong>re were<br />
numerous restrictions on his activities – all his letters were read by censors, for example,<br />
<strong>and</strong> he couldn’t receive foreign delegations alone – but <strong>the</strong>se were steps taken <strong>to</strong><br />
reduce <strong>the</strong> possibility that an ambitious leader might exploit his office, <strong>and</strong> <strong>the</strong>y didn’t<br />
always succeed. Whereas his colleagues were elected for terms as brief as a month,<br />
<strong>the</strong> doge was elected for life <strong>and</strong> sat on all <strong>the</strong> major councils of state, which at <strong>the</strong><br />
very least made him extremely influential in <strong>the</strong> formation of policy. <strong>The</strong> dogeship was<br />
<strong>the</strong> monopoly of old men not solely because of <strong>the</strong> celebrated Venetian respect for<br />
<strong>the</strong> wisdom of <strong>the</strong> aged, but also because a man in his seventies would have fewer<br />
opportunities <strong>to</strong> abuse <strong>the</strong> unrivalled powers of <strong>the</strong> dogeship. So it was that in 1618<br />
a certain Agostino Nani, at 63 <strong>the</strong> youngest c<strong>and</strong>idate for <strong>the</strong> dogeship, feigned a<br />
life-threatening decrepitude <strong>to</strong> enhance his chances of getting <strong>the</strong> job. A neat summary<br />
of <strong>the</strong> doge’s position was made by Girolamo Priuli, an exact contemporary of<br />
Sanudo – “It is true that if a doge does anything against <strong>the</strong> Republic, he won’t be<br />
<strong>to</strong>lerated; but in everything else, even in minor matters, he does as he pleases.” (For<br />
a list of all <strong>the</strong> doges, see p.388.)<br />
san marco<br />
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<strong>The</strong> Palazzo Ducale<br />
<strong>the</strong> building through <strong>the</strong> Porta del Frumen<strong>to</strong>, under <strong>the</strong> arcades on <strong>the</strong> lagoon<br />
side.<br />
<strong>The</strong> interior<br />
Several sections of <strong>the</strong> Palazzo Ducale (daily: April–Oct 9am–7pm; Nov–March<br />
9am–5pm; entrance only with <strong>the</strong> Museum Card – see p.41) can be dealt with<br />
fairly briskly. <strong>The</strong> building is clad with paintings by <strong>the</strong> hectare, but a lot of <strong>the</strong>m<br />
are wearying exercises in self-aggr<strong>and</strong>izement (no city in Italy can match <strong>Venice</strong><br />
for <strong>the</strong> narcissism of its art), <strong>and</strong> if you take away <strong>the</strong> paintings, <strong>the</strong>re’s not much<br />
left <strong>to</strong> some of <strong>the</strong> rooms. But it would be perverse not <strong>to</strong> visit so integral a part of<br />
<strong>the</strong> city, <strong>and</strong> <strong>the</strong>re are parts you will not want <strong>to</strong> rush. For this reason a visit needs<br />
<strong>to</strong> be timed carefully. In high season scores of <strong>to</strong>ur groups are being propelled<br />
round <strong>the</strong> place by multilingual guides for much of <strong>the</strong> day. If you want any control<br />
over what you get a look at, buy your ticket within half an hour of opening,<br />
or a couple of hours before closing.<br />
A word of warning: as with San Marco, res<strong>to</strong>ration work is always taking place<br />
somewhere in <strong>the</strong> Palazzo Ducale, <strong>and</strong> <strong>the</strong>re is rarely any indication before you go<br />
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