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Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

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as theirs, or we can be a part of their release but not identify the feelings as<br />

our own’ (Bruscia, 1998a, p.62).<br />

Receptive music therapy is a well-documented model (Grocke and Wigram, 2007)<br />

which prioritises active listening to music rather than creating it. Listening is about<br />

‘the ability to open oneself up to musical experience’ (Copland, 1980, p.8). This is<br />

particularly relevant to teenagers who need to share their musical taste, talk about it<br />

and experience listening without being overly guarded or pressurised by their peer<br />

group. A student’s song choices are often significant.<br />

All students, whatever their background and whichever school they attend, will know<br />

about music and have an opinion on it. Music will hold memories regardless of<br />

whether it has played a large or small part in their lives. I am often struck by how<br />

many nursery rhymes or children’s songs occur in sessions and early memories this<br />

can provoke. Odell-Miller (1995) describes using music as a kind of reminiscence<br />

therapy with elderly patients who make emotional links to music. This reiterates why<br />

the role of pre-composed and pre-recorded music is so valuable. As Sloboda and<br />

O’Neill (2001) make clear, there is more to the use of recorded music in the therapy<br />

context than simply influencing mood.<br />

Many students who are referred to music therapy have little interaction with other<br />

people at home and do not live in a stimulating environment. They often spend their<br />

time listening to music or watching music channels on television. By bringing their<br />

own choice of music they make a link between home and music therapy and often<br />

with it, offer a snapshot of their life outside school. Listening to their music together<br />

is a shared activity and, having someone to talk to about their enjoyment of music and<br />

what it means to them, might be a new experience. Students show that this is<br />

meaningful to them because they often come equipped with music in anticipation of<br />

their session.<br />

4.4.2.1 Playing and singing along to pre-recorded music (DVD clips 7 and 8)<br />

Students usually describe their experiences of music in a positive way: it is often<br />

appreciated as something which can help lift their mood or calm down and relax.<br />

! )'!

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