20.01.2015 Views

Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

Derrington 2012 thesis.pdf - Anglia Ruskin Research Online

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Music is often related to on an emotional level and teenagers are generally aware that<br />

it can change their feelings and mood.<br />

It can be difficult to keep up with the massive variety of music which the students are<br />

listening to but not knowing can also be an advantage. Giving the students the chance<br />

to inform me and show how much they know might be the first time that they have<br />

been heard and acknowledged in this way. This attentive response about their<br />

interests can provide ideas for further sessions and set up a strong rapport.<br />

The seventh video example (4.4.2.1a) shows Louise, who is 12, singing ‘Wavin’<br />

Flag’ (K’naan, 2009). Louise’s sense of strength and determination which is reflected<br />

in the lyrics of the song, was palpable and I supported her by playing the trumpet<br />

dynamically to acknowledge the resolution and vigour with which she sang. It is a<br />

powerful song for a young person who faces difficulties and an adverse home<br />

situation. Because the activity was given validity in this way, Louise talked more<br />

openly afterwards about the meaning of the song and thus effectively used the prerecorded<br />

song to give voice to feelings which may have otherwise have felt too<br />

difficult to express.<br />

The eighth video example (4.4.2.1b) shows Lewis singing ‘Airplanes’ (B.O.B<br />

featuring Hayley Williams of Paramore, 2010). Having chosen the song, he directed<br />

me to begin. Even though he joked about filming and pretended to be shy of it, he<br />

sang directly to the camera. The edited video shows Lewis having fun, singing along<br />

with my part as well. The structure of the song enabled us to both be involved equally<br />

with the parts clearly defined. As the rapper, he sang: “And back when I was rappin’<br />

for the thrill of it, But nowadays we rappin’ to stay relevant”. I wondered out loud if<br />

the rapping gave him the chance to say something. Ten minutes later he came back to<br />

me and said “Yeah, you only rap if you’ve got a point to make”.<br />

Two vignettes (4.1 and 4.2) show how recorded music can act as a precursor to using<br />

live music. It can be used as a sonic background, as support, as a way of getting used<br />

to filling the room with music or as inspiration for ideas. It often seems to give<br />

students confidence to improvise.<br />

! )(!

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!